Items Similar to Coral Fling, Red Burnt Orange, Brown Branches Vertical Botanical Tree on Mylar
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Jackie BattenfieldCoral Fling, Red Burnt Orange, Brown Branches Vertical Botanical Tree on Mylar2018
2018
About the Item
Layers of foliage in bright shades of reddish orange grace delicate dark brown branches on the pristine white background of this large vertical painting in acrylic on Mylar mounted on acrylic panel. Framed in a solid white wooden float frame. Signed and titled on verso.
Battenfield’s meditative painting process begins with the artist’s close attention to the graceful forms of unfolding leaves and blossoms, and to the twisted boughs and branches of trees. The artist painstakingly translates her photographic studies into drawings on large sheets of translucent Mylar, taking care to stay true to the original images. The artist makes hundreds of color studies before arriving at the palette for each painting. When applied to the Mylar, Battenfield’s ink-like pigments reassert themselves, separating and forming unexpected, distinctive abstract, transparent and opaque patterns. The finished painting on Mylar is mounted on a panel that allows light to play behind the pristine painted surface.
Jackie Battenfield earned a BS from Pennsylvania State University, PA and an MFA in Visual Art from Syracuse University, Syracuse, NY. She is the recipient of a Pollock-Krasner Award (1991) and the Warren Tanner Award (1996). Her work is represented in more than 1000 collections worldwide including the New York Public Library, NY, The Zimmerli Art Museum, Rutgers University, Brunswick, NJ, Montclair Art Museum, Montclair, NJ, Palmer Museum, Penn State University, University Park, PA, Museum of Art at the University of Arizona, Tucson, AZ and the United States Embassy Collections, Brazil, Cambodia, Croatia, Jamaica, and Peru. She currently lives in Williamsburg, Brooklyn.
- Creator:Jackie Battenfield (1950, American)
- Creation Year:2018
- Dimensions:Height: 61.25 in (155.58 cm)Width: 41.25 in (104.78 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kent, CT
- Reference Number:1stDibs: LU19713107712
About the Seller
4.9
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1994
1stDibs seller since 2013
133 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Kent, CT
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Tingling v, Vertical Botanical Painting on Mylar in Purple, Brown, Gold, OliveBy Jackie BattenfieldLocated in Kent, CTGingko leaves in deep hues of brown, dark purple and blue on delicate golden brown branches are striking against the pristine white background of this vertical painting in acrylic on...Category
2010s Contemporary Paintings
MaterialsMylar, Acrylic
- Delicate Slope Cs Vertical Botanical Painting on Mylar, Purple, Brown, Teal BlueBy Jackie BattenfieldLocated in Kent, CTGingko leaves in deep hues of purple and lavender on delicate brown branches with hints of teal are striking against the pristine white background of this vertical painting in acryli...Category
2010s Contemporary Paintings
MaterialsMylar, Acrylic
- Studio 2006, Pointillist Interior Painting, Artist StudioLocated in Kent, CTIn this pointillist interior scene, an artist's studio is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...Category
2010s Contemporary Interior Paintings
MaterialsMylar, Acrylic, Gouache, Panel
- Dappled Forest, Pointillist Forest Landscape, Green Leaves, Brown Trees, WoodsLocated in Kent, CTIn this pointillist landscape, a forest scene with trees in woods is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery...Category
2010s Contemporary Landscape Paintings
MaterialsMylar, Acrylic, Gouache, Panel
- After Floral Cross Stitch Pattern with Poinsettias Botanical Embroidery PaintingLocated in Kent, CTIn this embroidery painting, a poinsettia pattern in red, yellow, purple and green is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...Category
2010s Contemporary Paintings
MaterialsMylar, Acrylic, Gouache, Panel
- After French Wallpaper Half Moon Floral Powder Blue, Red Botanical Pattern, RoseLocated in Kent, CTIn this painted wallpaper pattern, an ornate botanical pattern with roses against a powder blue background is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...Category
2010s Contemporary Paintings
MaterialsMylar, Acrylic, Gouache, Panel
You May Also Like
- Anonymous Self Portrait Collage 4By Anthony GoicoleaLocated in New York, NYAnonymous Self Portrait Collage 4 2019 Signed and dated on label, verso Ink, graphite, acrylic, and Mylar on 300 lb. hot-pressed watercolor paper mo...Category
2010s Contemporary Paintings
MaterialsMylar, Ink, Acrylic, Graphite
- Large Nature Diptych Heron Rookery Watercolor & Acrylic on Mylar Greens, BluesBy Alex K. MasonLocated in Versailles, KYLarge Nature Diptych by Alex K. Mason of Heron Rookery, " The Rookery" is watercolor & acrylic on Yupo mylar unframed with greens, grays, blues and ...Category
2010s Abstract Expressionist Animal Paintings
MaterialsAcrylic, Watercolor, Mylar
- "Sarah", figure painting and mylar collage of nude female lounging on bedBy Mel ReeseLocated in Brooklyn, NYLarge scale acrylic painting with mylar collage elements of female nude lounging on her bed while reading. She is soft and elegant yet, bold, confident, and bright. This painting is ...Category
2010s Figurative Paintings
MaterialsCanvas, Mylar, Acrylic
- Reverie 11Located in New York, NYARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts at the libraries of the American Philosophical Society, the Science History Museum, and the Cajal Institute in Madrid. She has also worked on collaborative projects at the Center for Astrophysics at Harvard University, the Kavli Institute at Massachusetts Institute of Technology, and Rochester Institute of Technology. While artist in residence in the neuroscience program at National Institutes of Health, Kamen interpreted and transformed neuroscience research into sculptural form. Her work has recently been exhibited in the Creative Resilience: Art by Women...Category
2010s Abstract Abstract Paintings
MaterialsMylar, Acrylic
- Warming 1Located in New York, NYARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts...Category
2010s Abstract Abstract Paintings
MaterialsMylar, Acrylic
- Reverie 18Located in New York, NYARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts at the libraries of the American Philosophical Society, the Science History Museum, and the Cajal Institute in Madrid. She has also worked on collaborative projects at the Center for Astrophysics at Harvard University, the Kavli Institute at Massachusetts Institute of Technology, and Rochester Institute of Technology. While artist in residence in the neuroscience program at National Institutes of Health, Kamen interpreted and transformed neuroscience research into sculptural form. Her work has recently been exhibited in the Creative Resilience: Art by Women...Category
2010s Abstract Abstract Paintings
MaterialsMylar, Acrylic
Recently Viewed
View AllMore Ways To Browse
Jackie Brazil
Wild Turkey Painting
Liu Xiaodong
Superlative Women
Edwin Douglas
Rodriguez Acosta
Ruth Ray
Swedish Still Life Painting Fruit
Blush Gray And Black Painting Painting
Jean Francois Provost
Mate Argentina
Melissa Morgan
Robert Held Art Glass Vase
Blend Cota Original
Lilya Volskaya
Pearls Many Strangers
Joseph Bau
Carel Weight