Landscape Paintings

PLEASE NOTE: The painting will be shipped WITHOUT a frame. The framing option is available on request with additional shipping costs. February does not often bring sunshine to the ci...

This beautiful oil painting on canvas dates to circa 1840 and is by British Victorian artist William Edward Frost who was noted for his depiction of nudes and feminine beauty. The ov...

​Helen Taylor (Contemporary) Half a world away Signed with monogram Oil on panel 50 x 70 cm Helen Taylor’s practice follows an interest in belonging, connection, and journeys. Sh...

'Mushroom Rock' by Dennis Blagg. 2020. Oil on Canvas. 20 x 16." 3,600. Contemporary American landscape oil painting of the 'Mushroom Rock,' geological formation in Ellsworth County ...

Painted en plein air in Litchfield County, CT the summer of 2023. A beautiful representation of a landscape painted by American Realist Artist, Eric Forstmann.

A beautiful and deceptively simple example of Sloan's work. The King Tide is a seascape, speaking on climate change - specifically sea level rise. Adding to the surrealistic nature ...

Beef & Lobster Oil on Canvas 18 x 28 in 45.7 x 71.1 cm "Growing up in the countryside, he developed a great love and appreciation for the beauty of nature around him, which evidentl...

A stunning 1891 exhibited oil painting by British listed artist George Sherwood Hunter. This is a glorious British Impressionist painting from his travels in Northern France. It depicts “A Breton Courtship” in blue hot summer tones and is married well with the French Barbizon frame. The couple sit opposite each other, on either side of the road they are travelling together. A fantastic painting. This is a large oil on canvas by the Scottish artist who is one of my favourite artists of the period. George Sherwood Hunter was a well travelled artist and he painted throughout Europe. He is represented in many public collections. Provenance. Exhibited: Royal Society of British Artists 1891. Condition. Oil on canvas, 30 inches by 20 inches unframed and in good condition. Housed in a fine Barbizon gilt gallery frame, 40 inches by 30 inches framed. Gallery condition. George Sherwood Hunter (1846-1914) - was born in Aberdeen in Scortland on 30 May 1846. He first visited Newlyn in the 1890s, staying at Belle View in 1897. In 1902 he settled at the Malt House, Newlyn, with his wife Constance. Hunter had a studio in Bateman’s Meadow, where the Forbes School of Painting was situated, and Hunter assisted with tuition at the School in its early days. In Mrs Lionel Birch’s 1906 biography of the Forbes’ she wrote, ‘r and Mrs Forbes feel that they owe a debt of gratitude to Mr G...

About the painting: A glimpse of a botanical garden, lined with trees, plants, the green of the earth. About the artist: Laura Federici is an artist and architect based in Rome, Italy. She has a number of solo: Galleria Andrè (Roma 2011; 2012; 2016; 2019; 2020; 2023); Gallerie Brieve (Parigi, 2014); Galleria l’Affiche (Milano 2008; 2011); Galleria Il Segno (Roma, 2007); Galleria Beit Ahmad (Aleppo, Siria, 2003; 2005). He has exhibited in many group exhibitions in Italy and abroad, including Fotografia Festival Internazionale di Roma – XV edizione, Roma, il mondo (MACRO Museo d’Arte Contemporanea Roma 2016), Ambasciata Italiana in Vietnam (Casa Italia Hanoi e Fine Arts Museum HCMC, 2018), Istituto Italiano di Cultura di Varsavia (2019), Istituto Italiano di Cultura di Cracovia (2020), ARTFEM Women Artists 2 “International Biennial of Macau - “Natura”, Macau (2021). In 1999 she created 12 animated sequences for the film “Un Amore” by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival...

Stunning pointillist landscape oil on panel circa 1920 by French neo-impressionist painter Achille Lauge. The work depicts a spring landscape. In the centre are three tall trees covered in white and pink blossom. The trees are surrounded by fields painted in wonderful shades of green and blue. Signature: Signed lower right Dimensions: Framed: 28"x34" Unframed: 20"x26" Provenance: A certificate of authenticity from Juliette Lauge accompanies the painting. The work will be included in the catalogue raisonné of the artist, currently in preparation by Mme. Nicole Tamburini Achille Laugé...

This Was A Day Like No Other [2023] by Diane Whalley Original Abstract Expressionist painting in a white wood frame Acrylic on canvas Image Size: H 80cm x W 80cm Complete size of un...

Work on canvas Gold and green wooden frame 69 x 60 x 3 cm

Landscape. 1990. Oil on cardboard, 24x32,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry,...

Habitat, 2023, 100x100 cm

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed, inscribed to the reverse Oil on boar...

Stunning autumnal landscape titled "Fall at Barrington, Illinois", a suburb of Chicago, by Kathleen Buehr Granger (American, 1902-1999), 1938. Signed lower left "K. Buehr Granger" an...

5-3511 Acrylic on artist board Set in a wood frame Image size 10x12.5"

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Autumn in Ternopol Size: 23.5" x 31....

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Morning on the Lake Size: 23.5" x 31...

Autumn Road Oil on Canvas 18 x 24 in 45.7 x 61 cm "Growing up in the countryside, he developed a great love and appreciation for the beauty of nature around him, which evidently inf...

Scarborough, Sept 30 [2022] Scarborough, Nov 15 Original Painting Oil Paint on canvas. Scarborough, Nov 14, is an original seascape painting by Malcom Ludvigsen. It’s a proper plein...

A stunning oil on canvas urban landscape by sought after French post-impressionist painter Jacques Martin-Ferrieres. The piece depicts a very rare view of the Manhattan skyline - pai...

Docklands, Belfast, 2023 Oil on Board 24 x 72 in 61 x 182.9 cm "Painting is trial and error, somewhere between this there is a balance in which a painting will work." - Verner Finla...

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait ...

Strangford Co.Down Oil on Board 24 x 67 in 61 x 170.2 cm "Painting is trial and error, somewhere between this there is a balance in which a painting will work." - Verner Finlay Ve...

About the painting: Small glimpse of an abstract post-impressionist style landscape of EUR '42, a district built in Rome in 1940, with large white marble facades struck by the light and shadows of the foliage of the city's pines. The artist's focus is on architecture and its shadows, the contrast between solids and voids, between darkness and light. A wonderful contrast that takes the person back to Italy, to one of the most beautiful neighborhoods of the capital. Created in 2012, the painting aims to revive the tranquility of Italian landscapes, all on a 50 x 150 canvas. About the artist: Laura Federici is an artist and architect based in Rome, Italy. She has a number of solo: Galleria Andrè (Roma 2011; 2012; 2016; 2019; 2020; 2023); Gallerie Brieve (Parigi, 2014); Galleria l’Affiche (Milano 2008; 2011); Galleria Il Segno (Roma, 2007); Galleria Beit Ahmad (Aleppo, Siria, 2003; 2005). He has exhibited in many group exhibitions in Italy and abroad, including Fotografia Festival Internazionale di Roma – XV edizione, Roma, il mondo (MACRO Museo d’Arte Contemporanea Roma 2016), Ambasciata Italiana in Vietnam (Casa Italia Hanoi e Fine Arts Museum HCMC, 2018), Istituto Italiano di Cultura di Varsavia (2019), Istituto Italiano di Cultura di Cracovia (2020), ARTFEM Women Artists 2 “International Biennial of Macau - “Natura”, Macau (2021). In 1999 she created 12 animated sequences for the film “Un Amore” by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival...

OIL PAINTING LARGE SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIG...

Rossbeg, Co.Donegal Oil on Board 36 x 40 in 91.4 x 101.6 cm "Painting is trial and error, somewhere between this there is a balance in which a painting will work." - Verner Finlay ...

A large abstract seascape painting dedicated to the magic of the Mediterranean. An opening, moving, dancing wave. In a palette of bright greens...

A French Barbizon School oil on canvas forest view by Emile Roux-Fabre. The painting is signed and dated bottom left with a dedication. A charming view of forest glade leading out to a valley landscape beyond. The artist has captured the magic feeling of the cool forest shade against the sunshine of the landscape beyond. The texture of the bark on the silver birch trees, the contrast of the leaves on the trees all framing the perspective to the view beyond. An extremely accomplished and atmospheric painting. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

A vibrant landscape in oil showing a snow covered mountain range, surrounding an icy blue lake, with trees lining the banks. The artist has signed to the lower right corner. The pain...

Tree Study I Oil on Panel 152.4 x 121.9 cm Regarded as one of Ireland’s most accomplished fine art painters, Martin Mooney was born in 1960, in Belfast, Northern Ireland. Mooney gr...

Deep Breath is a beautiful, bold and vibrant oil and cold wax on panel painting by Canadian-Bolivian artist Tamara Soto. Cold wax painting blurs the line between oil painting and t...

Well presented in a simple wood frame. Signed to the lower left. Inscribed with the location and dated to the lower right. On canvas paper.

A man stands alone in a field wearing a black Marhsall Amplification shirt and a black hat. He's holding a snake with both hands while a flock of birds flys overhead. The Blue Bird M...

Sleeping Seas Oil on Canvas 19 3/4 x 27 1/2 in 50 x 70 cm "Paul's paintings are abstract and expressionistic his paintings are refreshingly individual and unique. We can see the brushstrokes, the palette knife, and the paint - which, combined with his rich palette, result in stunning semi-abstract paintings." Jo Baring - Curator of the Ingram Collection. UK artist Paul Bennett...

Francisco Carbonell Massabe (1928) - Port Lligat Cadaques - Oil on canvas Oil measures 65x81 cm. Frameless.

A woman speedily drives away from the Mountain Pines Motel in a bright red Cadillac. The day is slowly turning to nightfall. The landscape behind the car is rich in color, with a viv...

Brenda Horowitz’s continuing focus on the outer Cape landscape has allowed her to develop a deep understanding of the land, water, sky, and the relatio...

View of the Guideca looking at the Ducal Palace and Saint Marks in morning haze light.. A Capriccio mooded piece to capture the essence of experience of Venice. Gradwell's raison d'e...

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

Carlos Arriaga's "Chelsea Giraffe in the City" is a captivating fusion of elements that transport viewers into a surreal and whimsical world. This unique piece combines a collage of ...

A beautiful 1950's oil on canvas still life depicting potted primroses by French Naïf artist Peter Orlando. The work is signed lower right and presented in a simple gilt frame in ve...

Lovely landscape by Tarmo Pasto. Signed and dated "1948" on the bottom right. Unframed. Image size: 25"H x 30"W. Dr. Tarmo Pasto was born on July 27, 1906 in Monessen, Pennsylvania, of Finnish descent. Tarmo Pasto was a psychologist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art, The Space-Frame Experience in Art, published in 1964. He, however, was mainly known to the world for introducing the works of one of his psychology patients, Martin Ramirez...

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

Andrzej Skorut's (US based) "Plains" is an oil painting that depicts a full river stretching into the distant grassy plains with twilight over head. B...

​Helen Taylor (Contemporary) The Blanket Oil on canvas 10 x 12 inches Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative y...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Hoarfrost Size: 19.5" x 27.5" x 0.8'' inch, (50x70x3 cm) Unframed, Stretched on Wooden Bar, Gallery Wrapped, Ready to Hang. This oil painting "Hoarfrost" captures the beauty and chill of a winter village street. Thick blankets of snow coat...