Landscape Paintings

Oil on canvas. Signed and dated lower left. 47.25 x 47.25 inches 48.75 x 48.75 inches (framed) Custom framed in a solid maple floater. Provenance David B. Findlay Galleries, New Y...

3838 Impressionist oil on board of a woman sitting by turbulent sea Oil on board framed

Vintgae signed tropical nude landscape oil painting. Oil on canvas. Signed. Framed. Image size, 20L x 29H.

Signed lower left, 'Denis Paul Noyer' (French, b. 1940), titled, 'Mougins' and dated 1968. A mid-century, stylized painting of the Place du Commandant Lamy in Mougins leading to a ...

3905 Impressionist French village colorful landscape gouache on laid paper Image size 16x11.5"

Agustín Úbeda (1925-2007) - Women in the forest - Oil Oil on paper glued to table Oil measures 36x50 cm. Frame measures 45x59 cm. Provenance: Family of the artist. Includes certificate of authenticity from Galeria Sastre...

Antique American signed abstract expressionist oil painting. Oil on board. Signed. Framed. Image size, 24L x 18H. Circa 1960. This painting has a nice period frame and stong co...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

#5-3344a Seascape Painting ,acrylic palette on board displayed in a wood frame ,signed by Mac Gucol.Image size 16 H x 11 W

Signed "Martha Cahoon" lower right. Provenance: private collection, Palm Beach Florida About this artist: Born of Swedish immigrant parents in 1905, in Rosindale, Massachusetts, Martha Farham Cahoon had a highly successful business partnership with her husband Ralph Cahoon...

Josep Sole Pujol (1919-2000) - Mallorca - Oil on canvas Canvas size 54x65 cm. Frameless.

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Quests Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack. Casein on Masonite Condition: Excellent Image: 6 x 11" Frame: 9 3/8 x 14 1/2" Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer, the publisher of the most notable modernist art and poetry magazine...

Jacques BOUYSSOU (1926-1997) Carrière sur Seine, 1966 Oil on original canvas, in perfect condition, original canvas. Size : 50 x 65 Signed lower left Vintage frame Provenance : - G...

"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism. 30 x 40 inches. Oil on canvas, c. 1960s, Signed lower right. As we list the painting now, the work is currently being cleaned, restored and a hand carved frame is being built. Additional photos will be uploaded as soon as possible. Our gallery, Helicline Fine Art, just launched our new digital exhibition: American Art: The WPA and Beyond. Three dozen paintings, works on paper and sculptures which are available here on 1stDibs. In person viewings can be arranged by appointment at our midtown Manhattan gallery. Provenance: "Winter" was originally purchased by Stanley Byer. Mr. Byer owned homes in Key West, New York City, and Washington, D.C. He purchased the painting from Dunning Auction in 1984 in Elgin, Illinois. Mr. Byer was related to Abraham Weiss from Florida. Saul Babbin, now deceased was a cousin of Mr. Weiss. I purchased the painting from Joy Babbin, Mr. Babbin's wife, now living in from New Mexico. Dale Nichols (1905 – 1995) Artist, printmaker, illustrator, watercolorist, designer, writer and lecturer, Nichols did paintings that reflected his rural background of Nebraska where he was born in David City, a small town. Although he did much sketching outdoors, most of his paintings were completed in his studio and often included "numerology, magic squares...

Leonard Creo (American, 1923-2019) Untitled, c. 1960s Oil on canvas 29 x 48 in. Framed: 30 1/8 x 49 1/4 x 1 1/2 in. Signed lower right: Creo Creo was bor...

3823 English country landscape painting Image size 15.5x19.5"

3902 Northern Italian impressionist landscape unframed

'Provençal Panorama', oil on board, by Anna Costa (circa 1950s). This is a unique landscape painted by the artist in vibrant colours in an Impressionist style. A traditional home sit...

Up for sale is a New York City Street, Broadway by Jane Wilson (1924-2015). Jane wilson was an important female Abstract Expressionists painter. She has been exhibited in many museum...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed.

5-3185 Oil on artist board set in a thin wood frame

Bela de Tirefort (1894 – 1993) Snow at Madison Square Park, 1951 Oil on canvasboard 16 x 20 inches Signed and dated lower left; signed and titled on the reverse on artist label Prov...

Jacques BOUYSSOU (1926-1997) Le port de Dieppe, 1969 Oil on original canvas, in perfect condition, original canvas. Large size : 90 x 118 cm Signed lower left Vintage frame Provena...

Antique American signed modernist oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 20H.

A gem of a painting depicting a Nantucket lighthouse by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was...

GOLDEN MEADOWS Size: 58 x 70 cm (including frame) Oil on board An large and alluring textured modernist coastal landscape composition, executed in oil onto board and dated 1950. Th...

Duncan Gleason lived in New York and other places for work or studies but it was really Southern California where he felt most at home, and looking at his body of work, that love of ...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

This charming mid 20th century English naive oil on board depicts Birnbeck Pier on the Bristol Channel in Weston-super-Mare. The grade II listed Vic...

Post-Impressionist Oil Painting of Donegal Wetlands Landscape in Ireland by 20th Century Irish Artist, Charles McNeill Caldwell. Signed, Ori...

Partially signed, lower left, 'Georgetti' for Wedo Georgetti (American, 1911-2005) and painted circa 1955. Accompanied by an Certificate of Authenticity. A substantial, mid-century Post-Impressionist oil cityscape showing a view of Prague Castle, the hereditary seat of King Wenceslas and the Kings of Bohemia. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young...

ALP TREES Size: 64 x 74.5 cm (including frame) Oil on canvas A vibrant modernist style nature landscape composition, executed in oil onto canvas and painted in 1952. Featuring a ri...

Sunlit Meadow Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he devot...

4095 Covered bridge landscape oil on canvas set on board Image size 20x24" Set in a custom wood frame

4085 Stylish and well painted 1950's Italian harbor scene Italian Seascape, oil on canvas applied to board, displayed in a gilt wood frame, signed by De Angelis. Image size 10.5 H x ...

5-2807a Acrylic on board in a custom wood frame Image size 7.5x9.5"

A painting depicting a lighthouse in Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, w...

William Fisher (1891 - 1985) William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the Villager, a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the Gotham Guide, which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930s. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia, Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This work is a charcoal-on-paper composition depicting an interpretation of the famous Alhambra Palace in ...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 31H.

This lovely mid 20th century English oil on board by Tom White depicts a view over the rooftops of period houses in Spring. A quintessentially English view in the modern/impressioni...

This oil painting from the 65s by California Artist Bruce McCracken derives its title and inspiration from the mythical Arno River in Tuscany. Dividing the historic city of Florence into two distinct parts, the Arno has long captivated the collective imagination and continues to be a subject of exploration for many contemporary artists. Set against the backdrop of the Arno's picturesque banks, the artist likely sought inspiration from the vantage point of the Ponte Vecchio (Old Bridge) in Florence. The painting is divided into two distinct horizons. The upper section showcases architectural buildings poised upon a medieval arch...

A view of Oak Bluffs, MA on Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed.

Banks of the Suida Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he ...

A colorful view of Menemsha in Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one...

'Monuments: Sunrise', original vintage 1950s oil painting of a southwestern desert landscape in early morning with rock formations, trees and brush with brilliant sky with clouds by ...

A superb large 1950's oil on board which we believe to depict the tenement buildings of the Milnes Court area in Edinburgh. Clothes hang from T shaped driers as a lady hangs her wash...

'Mont Sainte-Victoire', oil on canvas, by Yves Brayer (circa 1960s). For Cezanne (1839-1906), his famous works depicting Sainte-Victoire Mountain were an ongoing study and a constant...

Nocturne, The River Thames, London. Oil on board circa 1950's by Keith Parsons (1919-1988) British. painting 42cmx58cm fine antiques frame 68cmx83cm Night view with a full moon hanging over the River Thames in central London...

Oil on board, signed and dated 1968 verso Image size: 23 x 36 inches (58.5 x 92 cm) Original gilt frame Evan Charlton was born in London. He studied at ...

The laundry is drying 1950s, oil on cardboard, 51x74 cm Published in the book "Biruta Baumane", Anda Treija, Juris Petraškevičs, publisher Galerija Da...

Antique American impressionist seascape beach scene oil painting. Oil on board. No signature found. Framed. Image size, 18L x 14H.

Jean Porcher, French, 1927, La vieille 'Fiat abandonnée', Oil on canvas modernist painting Provenance: verso gallery label "Galerie Drouant-David St Honore Paris" Hand signed and dated verso and along top to upper left 19 3/4 x 29, framed 22 x 31 1/2 It depicts an antique abandoned Italian Fiat car...

Behind the barn 1950s. Oil on cardboard. 42,5x49,5 cm "Behind the Barn" is likely to be a captivating and nostalgic artwork that celebrates the beauty of rural life and the tranquility of the countryside. Through the careful composition and skillful use of oil paints, the artist aims to transport viewers to a simpler and idyllic time, where nature and agriculture coexist in harmony. Aleksandra...

'Blue Landscape' is an original painting by the master of Haitian art Antonio Joseph. In the painting, Joseph works with magic realist themes: The landscape is a deep and saturated blue, with greens and yellows covering the Haitian mountains as they emerge out of the sea. The mountains are likewise dotted with the colorful houses so emblematic of Haitian vernacular architecture. The viewer looks out toward at these features while seemly contained within a set of sea walls. In the immediate foreground, pushed up against the picture plane, a mysterious vine grows out of the hard industrial ground, with nearly a dozen different flowers bursting from the same vine. The impossibility of these flowers perhaps relates the artist's work to the strong Latin American surrealist artists, like Frida Kahlo and Remedios Varo, while also referencing Haitian folk culture and spirituality. caesin on masonite 23.88 x 36 inches, artwork 26.38 x 38.25 inches, frame signed "Antonio Joseph" lower right and dated 53 inscribed "172" in green ink, on reverse, center inscribed "380- 91-150" in white chalk, on reverse, center left inscribed "13" in graphite, on reverse, center right Overall good condition; some dust accumulation to surface; tidemarks on reverse; some scratches and surface losses to vintage frame. Presented in a mid-century modern profile wood moulding with gold leaf bevel and 1-inch linen liner. Antonio Joseph was born on April 15, 1921 in Barahona, Dominican Republic to Haitian parents. In his youth he was trained as a tailor and also attended Varones' "La Escuela Graduata" and studied at the Santa Cecilia Music Academy. When he was seventeen, at the time of the "perejil" massacre where thousands of Haitians were murdered, he was smuggled out of the Dominican Republic with his mother, brother and sister. When he arrived in Haiti, he first lived thanks to the practice of tailoring. In 1944, he was the first student and member registered at the Art Centre upon the official opening of the institution. There he studied geometric design and watercolor with DeWitt Peters, who recognized his potential as the Centre's first "discovery" and an asset to the nascent institution. He also practiced sculpture with Jason Seley, ceramics with Edith Wegard, and silkscreen printing with Franck Jacobson. He learned the first notions of composition and perspective with the French sculptor Pierre Bourdelle, who came to Haiti to oversee the creation of the murals of the Cité de l'Exposition in Port-au-Prince. From 1945 to 1949, he worked with Bourdelle on the enormous state-funded project, conceived as part of the festivities commemorating the bicentenary of the founding of the city of Port-au-Prince. In 1952, Paul Keene, an artist from Philadelphia taught and exhibited at the Art Center. While there, he passed on to Antonio Joseph the techniques of casein painting, which combine the virtuosity of oil painting with the possibilities of watercolor. This discovery was instrumental in Antonio Joseph’s career, and he then entered an intense production phase. He at that time produced a series of paintings for which, in 1953, the Guggenheim Foundation awarded him a prestigious research and development grant. He was the first Haitian artist to receive this scholarship in the field of "creative painting...

Rafael Durancamps (1891-1979) - Landscape - Oil on canvas Oil measures 38x46 cm. Frame measures 58x66 cm. Rafael Durancamps i Folguera (Sabadell, March 29, 1891 [1] - Barcelona, Jan...

Landscape 1965. Paper, watercolor, 38x53 cm Through the use of watercolors on paper, the artist has created a picturesque and emotive portrayal of the landscape, inviting viewers t...