Adolphe Louis Gaussen

Fisherman on the Coast - 19th Century Oil, Figures in Boat at Sea by A L Gaussen

c.1920

Signed and dated figures in cityscape oil on panel by French impressionist painter Amedee Marcel-Clement. The work depicts a view of the Pont Neuf bridge that runs over the River Sei...

Signed and titled figures in cityscape oil on panel circa 1920 by American impressionist painter Guy Carleton Wiggins. This wonderful piece depicts a view of the New York Public Library in the United States of America during a winter snowstorm. Several cars and pedestrians can be seen passing along Fifth Avenue. A fantastic work in the artist's distinctive style. Dimensions: Framed: 16"x18" Unframed: 8"x10" Provenance: Roughton Galleries - Texas. This work is included in the catalogue raisonne under reference number GW00179 Guy Carleton Wiggins was the son of Carleton Wiggins, a painter of landscapes and animals. Wiggins first studied at his father's Art School in Connecticut and later enrolled in the National Academy of Design where he trained with William Merritt Chase and Robert Henri, after a brief spell studying architecture at the Polytechnic Institute in Brooklyn. At the age of 20 he was already well known and was the youngest American artist to have a work accepted for the permanent collection of the Metropolitan Museum in New York. Prior to the onset of World War I, Wiggins travelled to Europe and painted the English countryside. In England he met his future wife Dorothy Stuart Johnson. The couple returned to the US and set up home in Connecticut. He established a year-round art school, the Guy Wiggins Art School, in Essex. He liked to spend his winters in New York and summers in Connecticut. Wiggins' paintings reflect the influence of American Impressionism, a style of painting he would have encountered during his summers in Old Lyme. He is known for his snowy New York...

Artist: Robert Cabay (French, 1901-1990) Title: Notre Dame de Paris Medium: Oil on panel Dimensions: 41 x 31 cm l 16 1/8 x 12 1/4 in Frame: 52 x 42 cm l 20 1/2 x 16 1/2 in. Immerse...

Sandra Pratt's "Impending Storm," created with oil on linen panel, is a captivating landscape painting measuring 8 x 16 inches (20.32 x 40.64 cm). This original artwork captures the dramatic atmosphere of an approaching storm over a serene landscape. Pratt's technique with oil paint creates a rich texture and depth, bringing the landscape to life. The painting showcases a dynamic sky filled with swirling clouds, contrasted against the earthy tones of the land and the shimmering waters. The use of bold brushstrokes and a muted color palette conveys a sense of movement and impending change, capturing the viewer's attention and drawing them into the scene. "Impending Storm" is an excellent example of contemporary landscape painting, blending realism with expressive brushwork. This piece is perfect for collectors who appreciate the beauty and power of nature depicted through skilled artistry. The painting is sold unframed and will require a frame to hang. We are happy to provide framing quotes upon request. This piece will add a touch of dramatic elegance to any collection, reflecting Sandra Pratt's unique vision and technical prowess. Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark. I enjoy using a palette knife for the immediate bold statement it offers. I started painting as a young child and studied for a while at the School of the Art Institute of Chicago but ultimately decided to be a self-taught artist, My style of painting is called abstract impressionism. I work Alla Prima, wet into wet, not reworking a picture that has dried. I started using the palette knife to do color charts, then kept using it for immediate effects and fun texture. The challenge is making the whole painting cohesive enough in a single session, which can be a fun challenge working big!. I paint intuitively, and I enjoy painting landscapes best, scenes all people can relate to at a fundamental level, green fields in Ireland, Paris alleys, and little white barns. I'm drawn to old structures, falling down barns, fences, and houses. I love the sense of history, fragility, and secrets they exude. Artists I'm inspired by are Edward Seago, Kyffin Williams, Nicolai Fechin, and Sergei Bogart. These painters have a very particular style and handle of paint manipulation I find fascinating. My color palette has simplified over time. I've experimented with many colors; my basic palette is usually around seven colors plus white. I like creating color harmony, so the focus is on shape, composition, and edges, although colorful paintings have a place in my work. Overall, I intend to show my viewers simplicity in art and create transcendent experiences. My work has been exhibited at the Brattleboro Museum in Vermont, with the Allied Artists of America in NY, and at the A.R. Mitchell Museum and the Fort Collins Museum of Contemporary Art in Colorado. I'm from Chicago, IL, and currently live in the mountains of Colorado with my incredible husband, two kids, cattle dog...