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Alexandre Louis Jacob
Sous-bois en Automne, Autumnal Landscape Painting

About the Item

Image dimensions: 33cm x 40cm / 13 inches x 15¾ inches Framed dimensions: 50cm x 56cm / 19.7 inches x 22 inches This beautiful original oil painting by Alexandre Jacob depicts a the tranquil French village in the distance. Alexandre Jacob undertook his formal artistic training at the Académie des Beaux-Arts with Eugene Claude. Jacob lived just outside Paris in Asnières-sur-Seine, situated on the banks of the river Seine. The Seine and the rural countryside around this area is the subject of much of Jacob’s landscapes. Alexandre Jacob was born in Paris in 1876. He undertook his formal artistic training at the Académie des Beaux-Arts with Eugene Claude (1841–1923). Jacob lived just outside Paris in Asnières-sur-Seine, situated on the banks of the river Seine. The Seine and the rural countryside around this area is the subject of much of Jacob’s landscapes. Jacob is best known for his atmospheric and luminous landscapes. He gained his rare understanding and love for nature through studied inspection, transferring his observations skillfully on to canvas. His masterful evocation of light, atmosphere, colour and sense of place are remarkable and have a true ability to transport the viewer to the very banks of the River Seine and River Marne where Jacob would patiently wait, paintbrush poised to capture his unique visions of the French countryside. Throughout his career, it was the endless skies of the French landscape that appealed to Jacob. The horizon sits in the lower third of his compositions, with the focus on fleeting clouds above, fringed with luminous light. The vast open skies create a sense of calm and contemplation, punctuated by elongated poplar trees that rise from below. Jacob was a master at capturing the French landscape as it subtly changed between the seasons. In autumn, his paintings contain a golden aura, in winter, a soft creamy light diffuses across the landscape with hues of pinks and blues reflected in snow on the river banks and his depictions of springtime resonate with the crisp morning light. Jacob preferred to paint in the quiet moments after a storm had passed, and each of his landscapes have a unique atmosphere of calm and tranquility, achieved by the still watery reflections in the foreground.

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