Alfred Wands

Colorado Mountain Landscape in Autumn, Signed Oil Painting, Yellow Aspens

Oil on board painting by Alfred James Wands (1904-1998) titled "Mexico". Mountain landscape painting with village of buildings and a church in the foreground painted in colors of gre...

Vintage Colorado landscape painting in Autumn with green pine trees and aspen trees with golden leaves, lake and mountains with blue sky. Oil on canvas, ...

Vintage mountain landscape painting, oil on canvas of horses pulling a Stage Coach along the Front Range of Colorado by Alfred Wands (1904-1998). Autumn trees, golden grass, river and snowy mountains. Presented in a vintage frame, outer dimensions measure 29 ½ x 35 ½ x 1 inches. Image size is 24 x 30 inches. Painting is in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Cleveland, Ohio, Alfred Wands graduated from the Cleveland School of Art with honors. Following that, he spent six months in Paris studying at the Academie Julian. In the late 1920's, Wands returned to Ohio to teach painting at the Cleveland School of Art and the Cleveland Museum of Art. In 1930, Wands moved to Denver to direct the art program at Colorado Women's College. He remained at the Women's College for the next 17 years. During his time in Denver, Wands frequently traveled to Taos, New Mexico. He and his family spent eleven summers there between 1930 and 1940. By 1943, he had become the Camp Artist at the YMCA of the Rockies, where he taught summer art classes. He later became the Chairman of their Religious Programs and Adult Advisory Committees. By 1947, he quit his teaching position at the Colorado Woman's College to devote full time to his painting. By 1955, Wands opened his own studio and gallery in Estes Park, Colorado. Known as the "Dean of Colorado Landscape Painters", he served three times as the President of the Denver Artists Guild. He was the Chairman of the Denver Art Commission for 16 years. Wands was a long-time member of the Denver Artists Guild and the Denver Art Commission. He was also a member of the Cleveland Society of Artists, Ohio Watercolor Society, and Chicago Galleries Association. ©David Cook Galleries...

Vintage original modernist watercolor painting of the Sangre de Cristo Mountain range in Colorado by Alfred Wands (1904-1998). A farm in...

Vintage original modernist watercolor painting of horses attached to a carriage and buildings by Alfred Wands (1904-1998). It is painted in blues, yellows, and browns. Presented in a...

Mid 20th century oil and spackle painting featuring an abstracted cityscape with a bridge and buildings by Henriette "Yetti" Stolz. Signed by the artist in the lower right margin. Pa...

Aspens was painted onsite in the Rocky Mountains of Colorado in 2020. Aspens shows the changing of the seasons with the bright yellow leaves and the snow up in the Rocky Mountains. K...

Yuri Larin (1936-2014). Landscape, 1984. Watercolor on paper, 16.5 x 16.5 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated l...

Using song lyrics combined with Penguin classic book covers, Don Pollack opens us up to a discussion of the current state of our environment in this...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Rainer Gross (American, b. 1957) "Neal Twins" (in two parts)," 2000, Oil diptych painting on panel, signed, titled and dated verso, panel (unframed/each): 10.25"h x 9"w, overall 10.25 X 18 inches RAINER GROSS (1951 - ) Rainer Gross was born and educated in Cologne, Germany. He came to the United States in 1973. At that time he worked with Howard Kanovitz and later with Larry Rivers He has exhibited with German galleries and last season at the Tower. His work is represented in numerous private collections. Mr. Gross' excellent draftsmanship and subtle color sense are evident in his acrylics on paper. His paintings and drawings interpret Americana charged with allegorical and classical allusions. The copying of re-rendering ot old masters has a long and venerable history. The Romans copied the Greeks, the Renaissance masters copied the Romans and the academicians of the 19th century copies the Renaissance masters. More recently, such stellar figures as Vincent Van Gogh, Paul Cezanne and Pablo Picasso were "borrowers" who in turn became "lenders" to countless modernists. The "Art about Art" exhibition at the Whitney Museum reminded us that the art of the past can still provide valid models, even in an age when the unique and objective statement has been valued as never before. A prominent figure in that show was Larry Rivers, perhaps the most consistent renowned "borrower" of his generation, who has spent the last 30 years quoting everybody from Rembrandt to Hiroshige. This is from his series “Contact Paintings – Twins” As their name implies, the compositions encompass two painted surfaces that the artist presents as a diptych, each panel imprinting on and mirroring the other. The artist sometimes selects one of the two panels and brings his personal touch by adding one or two brushstrokes. A deeper understanding of Gross’ paintings requires the viewer to consider the challenges entailed in becoming a painter in 1970s Cologne when the ideology of “The End of Painting” professed by Joseph Beuys at the Kunst Akademie Düsseldorf became dominant among the art world’s “elite.” Being a painter meant thinking about the specificities of the medium and new ways to push it forward. In 2017, Gross was included in the Beijing Biennale as a representative of Germany. In 2012, the Museum Ludwig (Koblenz, Germany) held a four-decade survey of his paintings. Other notable national and international exhibits include the Musée Cantonal des Beaux-Arts (Lausanne, Switzerland), Krannert Art Museum and Kinkead Pavilion (Champaign, Illinois, USA), and Kunsthalle Emden (Emden, Germany). Gross’ paintings are housed in numerous public collections, including the AT&T Corporate Art Collection, the Cohen Family Collection, the Hirshhorn Collection, the UBS Union Bank of Switzerland, and the Lowe Art Museum. His work has been reviewed by the New York Times, Art in America, ArtNews, The Brooklyn Rail, The Boston Globe, and others. GROUP EXHIBITIONS 2007 Marcia Wood Gallery, Atlanta, GA Katharina Rich-Perlow Gallery, New York Stephen Haller Gallery, New York, Galerie Koch, Hannover, Germany Gráficas Works on Paper, Tucson, AR Museum Tucson, Arizona 2006 "Abstrakt", Museum Morsbroich, Leverkusen, Germany Galerie Koch, Art Miami, and Cologne Galerie Stefan Röpke, Art Fairs, Pulse New York, Bologna, Brussels Galerie Benden und Klimczak, Cologne 2005 Galerie Benden und Klimczak, Germany; Galerie Graf und Schelble, Basel, Switzerland; Michael Schneider Zeitgenössische Kunst Bonn, Germany Galerie Stefan Roepke, Marcia Wood Gallery, Atlanta, GA and Art Chicago; Frankfurter Kunstkabinett: Hanna Bekker vom Rath, Germany, Elvira Bach - Rainer Gross - Stefan Hoenerloh - Alex Katz - Stefan Szczesny - Wanda Pratschke - Hans Steinbrenner Galerie Benden und Klimczak, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany 2003 Galerie Benden und Klimczak, Cologne; Marcia Wood Gallery, Atlanta, GA; 2002 Auftrag der Farbe,* Kunstverein, Wiesbaden, Germany and Kunstverein Trier, Germany; Marcel Sitcoske Gallery, San Francisco, CA DFN Gallery, New York 2001 Accrochage, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; Museum Villa Zanders, Bergisch Gladbach, Germany; Achrochage, Gallery Inge Baecker, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Kunsthalle Darmstadt, Germany*; Galerie Benden und Klimczak, Cologne; Museum Viersen, Viersen, Germany; Marcel Sitcoske Gallery, San Francisco, CA; Galerie Klein, Bad Muenstereifel, Germany; 2000 Achrochage, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Rainer Gross, Thomas Kemper, Peter Tollens Galerie Benden & Klimczak, Cologne; 1999 Portraits, Galerie Benden & Klimczak, Cologne, Germany; Still Life and Blick zurück nach vorn, Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Galeriey Holtmann, Cologne, Germany; Church of St.Gerion, Cologne, Germany; X-MAS , Kent Gallery, New York; 1998 Galerie Benden & Klimczak, "Art Cologne" fair, Cologne, Germany; Gallery OZ, Paris, Gallery Graf & Schelble, Basel, and Art Zurich, Switzerland; Galerie Holtmann, Art Basel, Switzerland and Art Cologne,Germany; 1997 Solo, Madrid Museo de la Cidad, Madrid, Spain; Schneider Contemporary Art, Bonn, Germany; Abstract , Galerie Benden & Klimczak, Viersen, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; 1996 The World is a Broken Mirror , Galerie Inge Baecker, Koln, Germany; Bundeskunsthalle, Bonn, Germany; Akademie der Künste, Berlin, Germany; Marquardt Ausstellungen, Munich, Germany; 1995 How Red Works, Art Gallery of Hamilton, Canada; Marquardt Ausstellungen, Munich, Germany; 1994 Gelb, Marquardt Ausstellungen, Munich, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, At Art Cologne, Cologne, Germany; Gallery Moos, Toronto, Canada; 1993 Gallery Baecker, Cologne, Germany; The Return of the Cadavre Exquis...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

Signed and dated, lower right "Vaclav Vytlacil 1957" 40.875 x 60.25 inches; 42.75 x 62.75 inches framed

British Victorian artist George Hickin painted this Welsh rocky river landscape oil painting. Painted in 1849, the location is the river Llugwy at Bet...

Wonderful winter landscape of Aspens by creek by Diane Baldwin (American, 20th Century). Signed "Baldwin" bottom right. Unframed. Image size: 30"H x 2...

A calm after a storm. snowscape, abstracted, gestural abstraction, drip, drips, minimalist, contemporary, Blue and white collide in this water-snow like abstract painting. Artistic influences: Pat Steir. Teodora Guererra received her Bachelor of Arts in Art Education with a minor in Studio Art from Southern Connecticut University in New Haven and a Masters in Art Education from the College of Saint Rose, Skidmore College. Her artistic vision deepened and evolved during her years spent teaching and painting in Connecticut, Tucson, Arizona, and upstate New York. Arizona’s naturally radiant landscape and arid climate led her to experiment with rich under-painting and vivid color. Inspired by the shifting seasons of Connecticut and New York, Guererra pursued layering, dripping and pouring techniques. Her distinctive painting style is an alluring synthesis of texture, mark-making, and glowing color. ARTIST STATEMENT: “These works explore the tides of joy, failure, humor, uncertainty, and the euphoria of it all. Subconsciously, the landslide is so complex that as I paint, I continue to uncover hidden layers of emotion and unexpected images. This is my personal evolution. Upon completing my Masters, I began to make paintings using layers of paint, one color over another, sometimes adding other materials such as sand, glass, and bees wax to the paint. As I continued, I started to use different palette knives, making some of the layers very thick in areas, some scraped down to the color beneath. Then pouring thin layers of pigment mixed with turpentine to stain and drip, controlling the flow down the canvas usually from the top, using gravity. Chance plays a role when you pour and drip paint over thick textured surfaces, merging with the paint underneath. I like layering emotive colors to achieve striking textural and dense paintings that are at times exuberant, playful and joyful, and at other moments fraught with tension and brooding. The color can be monochromatic in execution but other hues and occasionally some metallic seep through, revealing the complexities of all the multi-layers. Pushing the limits and taking risks when painting is in my DNA!” EDUCATION: 1979 Southern Connecticut State University, BS, Art Ed, Minor, Studio Art 2008 College of Saint Rose, MS, Art Education EXHIBITIONS: 2008 Masters Show, Skidmore College, Saratoga Springs, NY 2009 Saratoga Color, Sorelle Gallery, Saratoga Springs, NY 2011 Connections, Sorelle Gallery, Albany, NY 2012 Chromacosmo, Sorelle Gallery, Albany, NY 2012 Reveal Fall, Sorelle Gallery, Albany, NY 2012 Albany Wine & Dine For The Arts, Albany, NY 2012 Albany Center Gallery Masquerade Gala, Albany, NY 2013 Chromacosmo Returns, Sorelle Gallery, Albany, NY 2013 Spectrum, Carriage Barn Art...

Charles Rosen "New York Harbor," Modernist Boats New Hope Woodstock 1920s 1930s. Signed lower left. Provenance: Acquired from the artist's daughter. Frame by Heydenryk. An Impressionist and modernist experimenting with Cubism, Charles Rosen applied this style and other European innovations to typical American subjects. He did numerous snowscenes and was especially drawn to industrial and marine scenes including factories, barges, and mills along the Hudson and Delaware rivers. He is best remembered as a second-generation member of the New Hope Impressionist...

Waiting for the Bus in a Blizzard- WPA American Scene 1938 NYC Modernism Realism. 16 x 16 inches, Oil on board, Signed and dated 1938 lower left...

Alfred Henry Maurer has been called the First American Modern because of his role in bringing modern methods of working to the United States

Unsigned

Signed lower right: AH Gorson

"" is a colorful dynamic example of Maccoy's Mid-20th century paintings. Guy Crittington McKay was born to Clifford McKay and Clara Angeline Young who was the granddaughter of Brigham Young. Clifford McKay later changed the family name to McCoy. Later on Guy changed his name to Maccoy. Guy Maccoy...