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Allison Chambers
Full of Possibility by Allison Chambers, Oil on Canvas Landscape Painting

2023

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Low Country Afternoon by Millie Gosch Impressionist Framed Landscape with Blue
By Millie Gosch
Located in Atlanta, GA
Unframed this piece measures 36 x 48. "Low Country Afternoon" by Millie Gosch is a stunning 36" x 48" oil on canvas that captures the serene beauty of the coastal lowlands bathed in...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Canvas, Oil

Bateaux dans les Nuages by Christian Nepo, Impressionist Painting on Paper
By Christian Nepo
Located in Atlanta, GA
Created a decade before Nepo's passing, is signed lower left. A fourth-generation French artist, Christian Nepo had art in his blood. His great grandfather was Ivan Chichkine, a noted Russian painter whose works hangs in a Museum of St. Petersburg. A student of Impressionism and an advocate of “en plein air” paintings, Nepo (as he signed his paintings) began painting seascapes and beach scenes during his frequent holidays on the coasts of Normandy and Brittany. Many of his paintings are reminiscent of pre-impressionist work: ominous skies...
Category

21st Century and Contemporary Impressionist Figurative Paintings

Materials

Canvas, Oil

Another Day is Done by Craig Mooney, Large Contemporary Seascape with Boat
By Craig Mooney
Located in Atlanta, GA
We've had a crush on Craig Mooney's large and light-filled paintings for quite a while so it was a very happy day here at the gallery when we hung his gorgeous work on our gallery wa...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Canvas, Oil

Lose Yourself by Allison Chambers, Oil Landscape Painting
By Allison Chambers
Located in Atlanta, GA
Explore 'Lose Yourself' by Allison Chambers, a captivating oil on canvas painting measuring 48" x 60". This large horizontal artwork beautifully depicts a low country landscape in so...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Canvas, Oil

Mystical Marsh by Allison Chambers, Large Oil Landscape Painting Vertical
By Allison Chambers
Located in Atlanta, GA
Allison’s softly rendered and beautifully painted landscapes and waterscapes capture light, depth and the constantly shifting movement of water, flora and fauna. Her impasto techniq...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Canvas, Oil

It's a Wonderland by Allison Chambers, Large Oil Landscape Painting Vertical
By Allison Chambers
Located in Atlanta, GA
Allison’s softly rendered and beautifully painted landscapes and waterscapes capture light, depth and the constantly shifting movement of water, flora and fauna. Her impasto techniq...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Canvas, Oil

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"The Canal"
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Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...
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