Amanda Horvath

Forest Calm by Amanda Horvath, Landscape, Trees, Botanical, Expressionist

2022

Winter Shadows 31 [October 2021] original Oil Paint on Canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:3cm Sold Unframed Please note t...

Before the Harvest [June 2022] original and hand signed by the artist Oil Paint on Canvas Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:25 cm x W:25 cm x D:2.8cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Before the Harvest is an Original Oil Painting by Eleanor Woolley. Painted when the fields a green and deep with the summers wheat...

Lets go & just swim study – diptych By Gordon Hunt [2021] original Acrylic on deep edge canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:...

August Border by Rosemary Farrer [2021] original Acrylic on canvas Image size: H:40 cm x W:50 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x D:2cm Sold Unframed Please note ...

Beyond This Earth explores the unseen realms that transcend the physical world. The painting weaves a cosmic landscape within a figurative image, symbolizing humanity’s connection to...

Home Longing reflects the universal yearning for connection and belonging. The painting combines a surreal landscape with a figurative image, symbolizing the intersection of identity...

A rare chance to collect an original oil painting by Shizico Yi at the lowest price possible. We offer the original artwork with a artist’s lifetime Warranty too! Taking on the inspiration of the legendary poet, Dylan Thomas, the poem, Do not go gentle into that good night, is a painting celebrates life in its ageing; as Rosa Albertine only flowers once in early Summer with the most festive blooms and heavenly scents, a symbol of a fully lived life. About the Painting : Painted Plein Air, in Artist's own garden of her very own planted memorial roses. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in 2016 in her garden before her late dog died; Old English Roses...

Les Guilleries. Original acrylic canvas painting Casimiro Martínez Tarrassó, a painter known simply as Tarrassó. He was trained at the La Llotja School in Barcelona. He completed his studies in Paris, where he got to know first-hand the Fauvist works that were shaking the Parisian art scene at the time. This Fauve influence will continue to be palpable in his work throughout his life in features such as the strong chromatic contrast, the elevated and somewhat exaggerated perspective, the absolute disinterest in the human figure, which appears only sketched as a complement to the landscape, and the representation of trees as electrified, subjected to tortuous inclinations. It is these formal features that give his works their own vitality and reduce their connection with the referential to a mere pretext. Tarrassó followed in the wake of the great Catalan landscape painters, paying particular attention to Joaquín Mir, although with a clearly differentiated personality due in part to the impact that Fauvism had on his artistic thinking. He cultivated still life and Catalan and Majorcan landscapes. He held his first exhibition in 1928 in Barcelona. Since then his shows have followed in Barcelona, Madrid, Palma de Mallorca and Bilbao. In 1935 he visited Mallorca for the first time, and from 1940 on he will have a studio there, specifically in Palma, where he lived for long periods and developed most of his artistic production. After the Civil War, during the 1940s, Tarrassó took part in several National Exhibitions of Fine Arts, in their editions of 1942, 1943 and 1950. Although the landscape was always the center of his production, Tarrassó also made works such as the mural decoration of the church of Santa María de Badalona. In Mallorca he also carried out a unique undertaking, planting his trestle in the Campanet caves to capture the stalactites and stalagmites from their stone cavities, developing a series of works that he presented in 1948. Throughout his career, Tarrassó was awarded the Pollença Prize of the I International Painting Contest, in 1962; the Santiago Rusiñol...