Andrew Haines

Wrapped Buildings

2011

Sterling Mulbry"s oil paintings on wood panel present landscapes inspired by tropical vistas viewed through sun-faded, slatted wooden shutters with succulent mangoes, lemons and pin...

Sterling Mulbry"s oil paintings on wood panel present landscapes inspired by tropical vistas are viewed through sun-faded, slatted wooden shutters with succulent mangoes, lemons and...

An exquisite and life-like representation of boardwalk railings along the shore, this painting has all the elements of a trompe l'oeil. Warner's paintings transcend the two-dimens...

Warner Friedman The Bridge

mixed media and textile on canvas

Warner Freidman Blue on Blue, 2019 Acrylic on canvas

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

Grace Graupe-Pillard has concentrated on portraiture since her early charcoal drawings which she exhibited at The Drawing Center, NYC in 1981. Her work, which has been exhibited at notable institutions such as MOMA PS1 and galleries including Cheim & Read Gallery (NY) and Carl Hammer Gallery (Chicago), has evolved from over the years from pastels to large-scale oil paintings and installations of people who she describes as “having not been integrated into mainstream society.” Her more recent paintings, inspired by selfies and iPhone photographs, attempt to convey the vitality and diversity of 21st century contemporary culture while capturing the ineffable moments in our lives. “The sensuality and radiant beauty of youth and ethnic diversity are depicted in my choice of subjects, as well as the ravages of time which are imprinted on our being. All stages of life are filled with humanity that both elevates and dissipates the spirit.” Her work has been written about in The NY Times, Art News, The Village Voice, The Star-Ledger, Newsday, Flash Art...

Smiling Croc, 2018, figurative abstraction, floral, green, yellow, orange, blue. Water based enamel on wood panel.

Thai Landscape, 2016, figurative abstraction, floral, red, yellow, orange, blue. Water based enamel on wood panel.

This large painting is Mitsumori's very first maiden work. An original mineral painting, made with 24k gold, crushed minerals (natural and synthetic), oyster shells and gold-coated mica on Japanese paper mounted on a wood panel. Natural colors include precious and semi-precious stones. Because these substances consist of unique chemical and physical properties, every artwork has unique characteristics and a story to tell, with a sense of connection to the earth. It is highly textured with a matt and rich sand-like appearance. What originally inspired her to paint was the cityscapes of Jaisalmer. Jaisalmer is a city in India known as the “golden city” that gleams in gold-like colors at sunset. The city shimmered like a piece of gold jewelry, reminding her of jewelry that retains its shine even after a thousand years. She felt a strong desire to capture them in paintings and set out to do so. Presents the sceneries seen through her eyes in an art form. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria Mitsumori...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...