Auguste Louis Lepère

Baigneuses, St-Jean-de-Monts

circa 1910

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

In Hyperallergic (April 8, 2017) Edward M. Gómez writes of Miles Cleveland Goodwin, his "portraits and images of nature or people in nature... capture moments of heightened awareness...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler: Visionary seems the right word for describing his vivid, unusual and technically refined painting...

An oil painting of the exteriors of a grouping of historic homes, in various colors, on a sunny day. A white picket fence encases a garden in the foreground. Dimensions: 12 x 24 in...

Oil painting of beachgoers literally looking for shade from the sun on a beach in Laguna, California. Painted by award-winning plein air painter Carl Bretzke. Framed in a tradition...

A tall, fair-haired figure wrapped in a light blue towel stands on the bank of inviting, calm water. Dark green trees in a forest, and mountains in the dist...

Ulrich Gleiter's (EUR based) "Rio Degebe at Sunset (Alentejo, Portugal)" is an oil painting that depicts the textural hillside of a bright colors. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...