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Benjamin Lussier
Hard Boiled

2017

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  • Vendemmia No. 2
    By Marc Dalessio
    Located in Sag Harbor, NY
    Vendemmia No. 2 illustrates a beautiful sunny day on a vineyard in Tuscany. A master of plein-air painting, Dalessio paints the wind, with evidence in the fast-moving cumulus clouds,...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Wood Panel

  • Time Square
    By Marc Dalessio
    Located in Sag Harbor, NY
    A traditional plein-air painting of a bustling urban landscape. Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his pass...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Wood Panel

  • The Poppy Field
    By Nelson H. White
    Located in Sag Harbor, NY
    Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Bagno Paradiso
    By Nelson H. White
    Located in Sag Harbor, NY
    Painted en plein-air in Italy, a group of figures sit beneath a striped umbrella. T Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Coffee after Wedding
    By Marc Dalessio
    Located in Sag Harbor, NY
    Painted en plein air, on a grey day, bright, rich greens, fill the canvas. Amidst this verdure, a regal yet traditional yellow house. In front of the house's facade, a table of frien...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Long Beach
    By Marc Dalessio
    Located in Sag Harbor, NY
    Long Beach, also known as Foster's Memorial Beach in Sag Harbor, New York. Dalessio captures the essence of the bay on the east end of long island so perfec...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Panel

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  • "Up the Valley"
    By Daniel Garber
    Located in Lambertville, NJ
    In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...
    Category

    1940s American Impressionist Landscape Paintings

    Materials

    Panel, Oil

  • Little Village
    Located in Missouri, MO
    Little Village by Louis Carl Hvasta (1913-1993) Signed Lower Left Unframed: 9" x 11" Framed: 16" x 19" Frame was Hand Made by the artist himself A local Californian Artist, Hvasta i...
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    20th Century American Impressionist Landscape Paintings

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  • The Grand Canyon
    By Billyo O'Donnell
    Located in Missouri, MO
    Billyo O'Donnell (American, 20th C.) "The Grand Canyon" Oil on Panel 22 x 29 inches 32 x 38 inches framed “For more than two decades I’ve been intrigued by the way a painting’s surf...
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    21st Century and Contemporary American Impressionist Landscape Paintings

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  • Beach at Playa Del Rey California
    Located in Missouri, MO
    Beach at Playa Del Rey California by Louis Carl Hvasta (1913-1993) Signed and Dated Lower Left Unframed: 21" x 34" Framed: 28.25" x 41" Frame was Hand made by the artist himself. A ...
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    20th Century American Impressionist Landscape Paintings

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  • Summer Sea, Ogunquit ME
    By Stanley Wingate Woodward
    Located in Milford, NH
    A fine coastal painting of waves crashing by American artist Stanley Wingate Woodward (1890-1970). Woodward was born in Malden, Massachusetts, and we...
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    1940s American Impressionist Landscape Paintings

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  • Provincetown
    By Max Kuehne
    Located in Milford, NH
    A colorful impressionist coastal oil painting of Provincetown by German / American artist Max Kuehne (1880-1968). Kuehne was born in Halle, Germany, and emigrated to Flushing, New Y...
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