Benny Carter

"The Big Apple", NYC Pop Art Painting by Benny Carter

2001

Artist: Pietro Bulloni, Italian (1947 - ) Title: Picnic Year: 2010 Medium: Oil on Canvas, signed, dated, and titled verso Size: 23.5 in. x 23.5 in. (59.69 cm x 59.69 cm)

Artist: Peter Max, German/American (1937 - ) Title: Better World Year: 1993 Medium: Acrylic on Canvas, signed u.r. Size: 24 in. x 18 in. (60.96 cm x 45.72...

Artist: Linnea Pergola Title: Venice Beach, California Medium: Acrylic Painting on Silk, Signed Size: 31 x 20.5 in. (78.74 x 52.07 cm) Frame: 45.25 x ...

Walking in Reeds by Peter Max, German/American (1937) Date: 1999 Mixed Media with Acrylic Painting on Lithograph, signed upper left Size: 14 x 17 in. ...

A unique 3-D painting by Patrick Hughes. Artist: Patrick Hughes, British (1939 - ) Title: Pleasure Island Year: 1999 Medium: Oil on Board 3-D Constr...

Target John Hardy, American (1923–2014) Oil on Canvas, signed lower left Size: 68 x 102.5 in. (172.72 x 260.35 cm)

The Oak Tree defined Rodrigue’s early and beloved works, and this piece represented a return to his roots to create a stunning work in the color palate of the artist’s iconic Blue Do...

"Cargo Traffic" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic paint, oil on canvas...

"Shipping (rescue operation)" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic paint, oil on canvas The painting is ...

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...

Agonda By Alanna Eakin [2021] original Oil paint on wood panel Image size: H:30.5 cm x W:23 cm Complete Size of Unframed Work: H:30.5 cm x W:23 cm x D:0.5cm Frame Size: H:38 cm x W:3...

Looking Up in the Forest For Change by Emily Finch [2021] original Oil Paint on Canvas with gold leaf Image size: H:120 cm x W:100 cm Complete Size of Unframed Work: H:120 cm x W:10...