Bob Stuth-Wade

Stump

2018

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...

The overall dimensions including the frame are 32 1/2 x 23 5/8 inches. Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...

"We spend our first nine months comfortably submerged, following mother-rhythms, sleeping to the liquid sound of breathing and heartbeat. The sea of origin is forever in us. These paintings of Nassau, Western Ireland...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

Kevin Weckbach's (US based) "Wading Log" is an original, hand made oil painting that depicts a white log leaning against a grassy bank and partially submerged in the rippling water of a lake or river that reflects the vibrant green of the surrounding foliage. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to resemble a literal story of what it is; moreover, it is a quilt that explains my visual expression. What I find particularly interesting in human intervention in nature is how we are still intertwined with it. Roads, buildings, and farmlands bend with the natural curves of mountains, hills, and streams. City nights are lit up like lightning bugs...

A striking abstract study of a tree stump in a desolate forest. The artist uses vivid colours to capture the scene, bringing the tree branches off of the canvas in bright yellows and...

Kristin Musgnug Moss-Topped Stump, 2016 oil on canvas, 30 x 30 inches From the press release for the current gallery exhibition: In the popular imagination, the forest is oft...

Joseph Orr "Winter Wood" Acrylic on Canvas 18 x 24 28 x 34 framed Joseph Orr, from Missouri, has been painting professionally since 1972. He paints much o...