Carl Ivar Gilbert

A Walk In The Park, American Impressionist Oil on Board.

Early 1900s

French Impressionist oil on board view of a fisherman at the riverbank of the Seine in Paris with the tower of Notre Dame in the distance by Andre Malterre. Signed bottom right, sign...

French Impressionist oil on board view of a fisherman at the riverbank of the Seine in Paris next to the Bridge St Marie, with the old spire of Notre Dame in the distance. The painting is initial signed, located and dated bottom left. Presented in a patinated wood frame. There is a trade label for the Rowley Gallery in Kensington Church Street to the backboard. A charming Impressionist painting of an iconic Parisian view. The Seine with all its reflected colours passing beneath the arches of an ancient bridge, a church spire just visible through the canopy of the trees, colourful boats moored, a fisherman sitting in the shade of the riverbank hopeful of a catch. The artist has managed to capture all the languid, quiet beauty of the scene in the midst of a bustling metropolis which is Paris. The water in the Seine is full of colour and nuance and the green of the trees give the painting a freshness. A very accomplished composition beautifully executed. Le Pont Marie crossing the Seine in Paris. The bridge links the Île Saint-Louis to the quai de l'Hôtel de Ville and is one of three bridges designed to allow flow between the Île Saint-Louis and the Left and Right banks...

Early 20th Century French Impressionist street scene by Charles Pellegrin. The painting is signed bottom right and there is a title and exhibition label to the back of the panel. Presented in deep gilt wood and cloth frame. A charming view of two figures, a mother and child, making their way along a French street in the South of France. on each side of them stone houses and monuments. Pellegrin has captured the romanticism of the scene, the colours of the stone harmonising with the clay roof tiles...

Mid 20th Century view of a French village, oil on board, by Ghislaine de Fiquelmont. The painting, though not signed, is annotated as from the atelier to the back of the board. Prese...

Early 20th Century view of barges at a riverbank by French artist Georges Planes. The painting is signed bottom right. The painting is very nicely framed in a blue painted wood frame...

An Orientalist beach scene of the coast of Algeria at Chenoua by French painter Gustave Lino. The painting is signed, located and dated bottom left. Presented in a plain gilt frame. A charming and atmospheric view of a day at the beach. The revellers are enjoying bathing in the Mediterranean, resting under their colourful parasols against the sun and exploring the far off rocks of the cove. The sea gently lapping against the rocks at the shore. A small row boat ready for an excursion. Lino has beautifully captured the feeling of joy and fun that a day at the beach brings. Gustave Lino was born in 1893 in Mulhouse, France. At the age of twenty, he went to Marseille, discovered Provence and the Mediterranean. He was already interested in painting and art from numerous visits to the museum of his hometown, but he had not yet followed any training in this field. In Marseille, far from home and idle, he decides, almost on a whim, to travel to Algiers, without really knowing what he will discover there. He embarked for Algiers at the age of 19 in 1912. He exhibited with his friends Romeo Charles Aglietti in 1914 at 'Herero' in Algiers. Unfortunately in 1914 in Corsica in Ajaccio, being of German nationality and Mulhouse being part of the German Empire since 1871, he was interned as a 'civilian'. He spent the First World War in the Isle of Beauty but spent his time wisely developing his artistic skills. He realised many paintings as well as the historical decorations of the Solferino Hotel in Ajaccio and the religious decorations of the castle of Malaspena-Massa in Belgodère. In December 1918, he returned to Algiers where he was a pupil of Georges-Antoine Rochegrosse. He exhibited at the Salon des Artistes Français from 1926 and at the Danton gallery, rue La Boétie in 1927. He settled permanently in Algiers and then in Bou-Saada. Back in Algeria, he took a close interest in the painting of Albert Marquet, which particularly seduced him and with whom he became a close friend. The transparent sharpness, this harmony of lines and tones becomes his ideal of perfection. He specialised in Algerian seascapes and landscapes, a colourist above all. Becoming an adopted member of the group called "Painters of Poetic Reality" (with Jean...

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Lone figure with city

Storm over mountains