Charles Pellegrin

French Impressionist Oil on Board, 'Villecelle Pres de Lamalou' South of France.

French Impressionist oil on board view of a fisherman at the riverbank of the Seine in Paris with the tower of Notre Dame in the distance by Andre Malterre. Signed bottom right, sign...

An American oil on panel view of people promenading beside a lake on a summer day by Carl Ivar Gilbert. The painting is signed bottom left and presen...

French Impressionist oil on board view of a fisherman at the riverbank of the Seine in Paris next to the Bridge St Marie, with the old spire of Notre Dame in the distance. The painting is initial signed, located and dated bottom left. Presented in a patinated wood frame. There is a trade label for the Rowley Gallery in Kensington Church Street to the backboard. A charming Impressionist painting of an iconic Parisian view. The Seine with all its reflected colours passing beneath the arches of an ancient bridge, a church spire just visible through the canopy of the trees, colourful boats moored, a fisherman sitting in the shade of the riverbank hopeful of a catch. The artist has managed to capture all the languid, quiet beauty of the scene in the midst of a bustling metropolis which is Paris. The water in the Seine is full of colour and nuance and the green of the trees give the painting a freshness. A very accomplished composition beautifully executed. Le Pont Marie crossing the Seine in Paris. The bridge links the Île Saint-Louis to the quai de l'Hôtel de Ville and is one of three bridges designed to allow flow between the Île Saint-Louis and the Left and Right banks...

Mid 20th Century view of a French village, oil on board, by Ghislaine de Fiquelmont. The painting, though not signed, is annotated as from the atelier to the back of the board. Prese...

Early 20th Century view of barges at a riverbank by French artist Georges Planes. The painting is signed bottom right. The painting is very nicely framed in a blue painted wood frame...

An Orientalist beach scene of the coast of Algeria at Chenoua by French painter Gustave Lino. The painting is signed, located and dated bottom left. Presented in a plain gilt frame. A charming and atmospheric view of a day at the beach. The revellers are enjoying bathing in the Mediterranean, resting under their colourful parasols against the sun and exploring the far off rocks of the cove. The sea gently lapping against the rocks at the shore. A small row boat ready for an excursion. Lino has beautifully captured the feeling of joy and fun that a day at the beach brings. Gustave Lino was born in 1893 in Mulhouse, France. At the age of twenty, he went to Marseille, discovered Provence and the Mediterranean. He was already interested in painting and art from numerous visits to the museum of his hometown, but he had not yet followed any training in this field. In Marseille, far from home and idle, he decides, almost on a whim, to travel to Algiers, without really knowing what he will discover there. He embarked for Algiers at the age of 19 in 1912. He exhibited with his friends Romeo Charles Aglietti in 1914 at 'Herero' in Algiers. Unfortunately in 1914 in Corsica in Ajaccio, being of German nationality and Mulhouse being part of the German Empire since 1871, he was interned as a 'civilian'. He spent the First World War in the Isle of Beauty but spent his time wisely developing his artistic skills. He realised many paintings as well as the historical decorations of the Solferino Hotel in Ajaccio and the religious decorations of the castle of Malaspena-Massa in Belgodère. In December 1918, he returned to Algiers where he was a pupil of Georges-Antoine Rochegrosse. He exhibited at the Salon des Artistes Français from 1926 and at the Danton gallery, rue La Boétie in 1927. He settled permanently in Algiers and then in Bou-Saada. Back in Algeria, he took a close interest in the painting of Albert Marquet, which particularly seduced him and with whom he became a close friend. The transparent sharpness, this harmony of lines and tones becomes his ideal of perfection. He specialised in Algerian seascapes and landscapes, a colourist above all. Becoming an adopted member of the group called "Painters of Poetic Reality" (with Jean...

Lone figure with city

David Shingler's (NC based) "Mt. Evans and Bierstadt, Colorado" is an oil painting that depicts a green grassy plain dotted with Pine trees leading to the snow capped mountains in th...

REDUCED FROM $3000 The Sailor is a 11 x 8" oil painting by Cuban-American artist Reynier Llanes who lives in Miami. It is framed. It is oil painted on a wood panel . The Sailor floats in the frame. The background of Reynier Llanes is unique in style , subject matter, and medium. The artist says this about Field of Flight The characters in my paintings emerge from stories and their journeys are inspired by my own experiences and daily routines. My inspiration comes from literature, music, cinema, and daily life. My daily routine enables me to meditate and use my creativity to serve these stories and inspirations. I begin my mornings with sketches and watercolors. This is the time I use to keep inventory of my ideas and to allow them to further inspire me. Many of these characters have been depicted in my work before, whether in a different geographical location or in a different state of their physical evolution. I use a variety of mediums in my work including oils, watercolors, coffee, and charcoal. They are all equally important to me as they allow me full expression, each in its’ own sector. I use a great deal of symbolism in my art to give depth to the subjects that I wish to express. I want my art to tell a story in a manner that stimulates the imaginations of others, especially of things never seen or expressed directly. As an observer it is clear to see that we are all in pursuit of life’s mission of working, loving, and belonging. I begin my paintings by building layers of textures and color values, and then subtly add dimension and depth. Through the use of colors and highlighting I am able to enhance the atmosphere with mood, character, depth and mystery, and bring special attention to my subjects. It is the creative process of using these materials and methods that feed my soul, life, and being. I believe it is our mission as intellectuals to have a voice in our society, for our work to have a footprint in history, and to be a reference for future generations. BIO: Reynier Llanes was born in Pinar del Rio, Cuba in 1985. He attended the city’s school of art (Instructores de Arte) for four years and completed his studies in 2004. Llanes was tutored by one of the country’s most recognized realist artists, Juan Miguel Suárez. In 2005 he moved to Havana where he continued his studies and collaborated with various artists. The capital was a thriving mecca of art and culture and the museums the grounds for inspiration. In 2007 LIanes availed himself of an opportunity to emigrate from Cuba and moved to the United States, first settling in Naples, FL. In Naples he began to introduce his work in a major exhibition entitled “Strange Visitor” at the Kapo Maestro Gallery. In 2009 he relocated to Charleston, SC where he had the honor of being granted an artist in residency at the Jonathan Green Studios. Llanes was awarded a "first purchase award" for a piece now in the art collection of the city of Charleston 2011 at Moja Art Festival Juried Exhibition Award. In 2012 Oxford America recognized him as one of the "New Superstars of Southern Art." The art of Reynier was nourished by the rich southern culture and he began to collaborate with various museums and art centers. His work was featured in a traveling exhibition The Vibrant Vision Collection at the Morris Museum in Augusta, GA and the Gibbes Museum of Art in Charleston, SC. Llanes is also an avid art collector in his own right, focusing on works by artists from Cuba, and particularly those from his native province of Pinar del Río. A selection of works from his collection was exhibited at City Gallery in Charleston in 2013 and in the Art Museum in Myrtle Beach in 2015. In 2015 Llanes relocated with his family to Miami in order to take advantage of the city’s international art market and vibrant cultural life and to be closer to his home country. South Florida is, of course, home to a large community of intellectuals, collectors, and fellow artists who have welcomed Llanes into their cosmopolitan scene. His first solo exhibition in Miami took place at Miami Dade College West, this exhibition was entitled “Preserving Cultural Heritage” and it featured a large collection of coffee paintings. In 2017 he met Bill Meek...

Carl Skånberg is known for his delicate brushwork that echoed the early influence of Impressionism in Swedish art, Skånberg's work typically carries a certain mystique and emotional ...

Vendiendo Platanos is a 18 x 12 oil on panel paininting by William Kalwick. This was done on site in Nahuala , Guatemala. A frame has been ordered for the painting. This Nahuala Coop, 100% women farmer produced washed Guatemala heirloom coffee features sweet, clean and bright aromas of hazelnut. The flavor is rich, with notes of chocolate, citrus and roasted nuts, finishing smooth and lingering. Nearly the entire population of the municipality is made up of ethnic K'iche' Maya who speak the K'iche' language. The population of the township is estimated to be between 50,000 and 85,000 individuals, about 10% of whom live in the head-town. Statistics vary widely because much of the township's territory and several large villages are also claimed by Nahualá' sister township, Santa Catarina Ixtahuacán. Kalwick’s paintings cover a wide range of subject matter. However, he is best known for his Guatemalan market scenes, Guatemalan figurative work, and portraits. Recent portrait commissions include Harold Hook, retiring CEO of American General Corp.; Reese Jones, international golf course designer; and Paul Merriman, retiring CEO of Hisco Corp. Kalwick was honored for the second time with a one-man show sponsored by the United States Embassy at the Museo Ixchel in Guatemala City. Southwest Art magazine featured Kalwick’s work on the cover and elaborated upon his style in an article titled “Guatemala Days.” He also was featured in Art of the West magazine . Kalwick’s portrait painting was featured in Southwest Art magazine . Kalwick has participated in many shows including the Masters of the American West at the Autry Museum in Los Angeles, California; the Prix de West...

This early 20th-century oil painting by Belgian artist Philippe Swyncop (1878-1949) depicts a colourful street in Fontarrabie, Spain. Fontarrabie, or...