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Carstiaen de Ceuninck
Animated landscape with a river - Carstiaen de Ceuninck (Kortrijk c. 1560 - 1633

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War ships of the coast by the circle of Pieter Brueghel II
Located in Gent, BE
Oil on panel The present work is based on studies and paintings of ships and marine landscapes by Pieter Brueghel the Elder, which he created during his time in Italy and later pub...
Category

Early 17th Century Old Masters Landscape Paintings

Materials

Oil, Panel

A view of a street in San Remo - Jacques Carabain (1834 - 1933)
Located in Gent, BE
Oil on canvas Signed and dated lower right: "J. Carabin, 1886" Also with a label on the back. In Jacques Carabain's painting, the Concattedrale di San Siro emerges as a timeless beacon amidst the historic tapestry of San Remo's Via Palma van La Pigna. The canvas unveils a captivating vista, capturing the architectural grandeur of the cathedral framed...
Category

Mid-19th Century Romantic Landscape Paintings

Materials

Canvas, Oil

Geese going into the Leie - Gustaaf De Smet (Gent 1877 -1943)
Located in Gent, BE
Oil on canvas Signed lower right: “Gustave De Smet” “Geese going into the Leie,” by Gustave De Smet captures a serene moment in the Belgian countryside. The painting invites viewers to witness a simple yet captivating scene: three geese making their way towards the Leie River. De Smet’s Impressionist style is characterized by his ability to capture the essence of the moment, emphasizing the interplay of light and color to create a calm atmosphere. The geese appear to move with purpose, marching gracefully toward the water. The Leie itself is a tranquil presence, next to the water there is a solitary tree and a shed. The tree leaves and the shed...
Category

Late 19th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

Ships in open water - Charles-Louis Verboeckhoven (Waasten 1802-1889)
Located in Gent, BE
Oil on canvas Signed lower left: “Louis Verboeckhoven” Dimensions: 53 x 70 cm, 79 x 97 cm (framed) “Ships in open water,” is an artwork by Charles-Louis Verboeckhoven presenting ...
Category

19th Century Romantic Landscape Paintings

Materials

Canvas, Oil

A palace court with nobility - Daniël De Blieck (Middelburg c. 1610 - 1673)
Located in Gent, BE
Oil on panel Signed and dated: "D. Blieck, f. 1661" Dimensions: 36 x 50 cm, 46 x 61 cm (framed) Daniël de Blieck was a Dutch Golden Age painter and architect, who specialized in ar...
Category

Mid-17th Century Old Masters Paintings

Materials

Oil, Panel

The Temptation of Saint Anthony
Located in Gent, BE
Oil on panel We'd like to thank dr. Jan De Maere for his advice. In Cornelis Saftleven's arresting depiction of the temptation of Saint Anthony, the viewer is drawn into a surrea...
Category

17th Century Old Masters Paintings

Materials

Oil, Panel

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Italian painter (16th century) - Ascent to Calvary. 18 x 28 cm. Antique oil painting on panel, without frame. Condition report: Good state of conservation of the painted surface, ...
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Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
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Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
By Lucas Cranach the Elder
Located in New Orleans, LA
Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
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