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Catherine Doocy
Wide Open Spaces

2017

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  • 19th century English , two spaniel dogs chasing a Pheasant in a landscape
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    George Armfield was one of England's best-known sporting and animal painters from the mid to late Victorian period. He was famous for painting terriers and Spaniel dogs, and his work was highly sought after, even painting a dog and painting for Queen Victoria. His Spaniel paintings...
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    1860s Victorian Animal Paintings

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    Paper, Oil, Wood Panel

  • Forest Interior No. 5
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    21st Century and Contemporary American Realist Landscape Paintings

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  • Backyard Oasis
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    2010s Contemporary Landscape Paintings

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  • Cloud #2 (Whimsical Miniature Contemporary Painting, Cloudy Blue Skies on Panel)
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    Cloud #2 (Whimsical Miniature Contemporary Painting, Cloudy Blue Skies on Panel) by David Konigsberg 7.5 x 6.5 x 2", monotype on paper mounted on wood panel Signed, verso Painting is wired on reverse for simple hanging. Sides of panel are cleanly painted white, so framing is not necessary. Panel could also stand upright on a shelf or mantelpiece. Contemporary landscape painter David Konigsberg is well known for his conceptual landscapes that come alive in the space where earth and sky meet. Dramatic backdrops of tumultuous clouds above gesturally painted fields, informed by years of living in the upper Hudson Valley, provide a stage for factual and whimsical subject matter like flying space pods...
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    2010s Contemporary Landscape Paintings

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  • "Out of Synch", contemporary, green, tree, collage, acrylic, oil painting
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    2010s Contemporary Landscape Paintings

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  • tempio di Antonino e Faustina
    Located in Milano, MI
    Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. We often speak of a "brain drain," but in this case we are truly happy to be able to say that this is a "return," and an important one: an artist of international caliber who has decided to entrust her return to her homeland to Almach Art...
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