Charles Henry Passey

19th Century landscape oil painting of sheep in a lane

C1880

Jane Vivian British, (fl. 1869-1890) Looking towards the Doge’s palace from the Dogana Oil on canvas, signed Image size: 17.25 inches x 31.25 inches Size including frame: 22.75 inch...

Edward Williams British, (1781-1855) The Old Abbey Ruins Oil on canvas Image size: 22.25 inches x 30.75 inches Size including frame: 28.25 inches x 36.75 in...

Pieter Cornelis Dommersen Dutch, (1833-1918) Launching the Boat Oil on canvas, signed & dated 1861 Image size: 23 inches x 41 inches Size including frame: 29.75 inches x 47.75 inches A beautifully painted marine scene of a boat being launched from a Dutch shore by Pieter Cornelis Dommersen. In the foreground, fishermen can be seen heaving a boat into the water as others look on. Beyond the beach, a number of ships are shown moored next to a windmill whilst further ships are depicted sailing around the harbour. Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...

James Edwin Meadows British, (1828-1888) A Country Track Oil on canvas, signed & dated 1861 Image size: 29.5 inches x 47.5 inches Size including frame: 36.5 inches x 54.5 inches Jam...

William Stephen Coleman British, (1829-1904) By the Fish Pond Oil on canvas, signed & dated 1898 Image size: 23 inches x 35 inches Size including frame: 30.25 inches x 42.25 inches A beautiful painting by William Stephen Coleman of a woman with two girls in a semi classical style by a Mediterranean pond. The woman is depicted resting on a terrace with her young daughter asleep on her lap, whilst another child catches goldfish in a bowl. This tour de force would have most likely been painted by Coleman as an exhibition piece. William Stephen Coleman was a figurative painter who was born in Horsham in 1829. He was one of 12 children born to a physician named William Thomas Coleman and his wife Henrietta (née Dendy). Three of his siblings Rebecca Coleman (b1837), Helen Cordelia Angell (1847–1884) and George Coleman also became artists, inheriting their artistic talent from their mother’s side of the family. Coleman developed an interest in nature from an early age, producing drawings as a hobby. Despite his ability, he initially followed in his father’s footsteps and trained as a surgeon. However, this proved unsuccessful and by the age of 21 he had turned back to art, later gaining employment with the Dalziel Brothers, a firm of wood engravers who specialised in natural history illustrations. Sometime during the late 1850’s he moved to London where he married his first wife Henrietta Augusta Boultbee in 1858. Around the same time, he began producing illustrations for books; the first of which was entitled ‘Common Objects of the Country’ and published in 1858. He subsequently published two of his own books ‘Our Woodlands. Heaths, and Hedges’ in 1859 and ‘British Butterflies’ in 1860. After the death of his wife in 1860, his sister Rebecca and brother George went to live with him in Garway Road, Paddington. Rebecca would often assist him with the wood blocks for his illustrations. As well as working as an engraver, he also began producing classically influenced paintings featuring figures in landscapes. Initially these were executed in watercolours but later extended to oil paintings. He began exhibiting at the Dudley Gallery in 1865 and was one of the original committee members. He continued to exhibit there until 1879 and was a committee member up until 1881. By 1869, he had also begun to work on pottery decoration and in 1871 was asked by Minton’s to establish an Art Pottery Studio at Kensington Gore. Whilst at Minton’s, he produced figure designs for their ceramic ware. His sister Rebecca also worked at Minton’s and they moved to Belle Vue in Chelsea to be closer to the studio. From 1881, he lived at 3 St John’s Wood Studios, Queens Terrace in Paddington and in 1888 moved to 43 Broadhurst Gardens in Hampstead. In 1893 one of his classically inspired works ‘The Gold Fish Bowl...

Robert John Hammond British, (1853-1911) On the River Severn Oil on canvas, signed & inscribed verso in pencil to stretcher Image size: 15.25 inches x 23.25 inches Size including frame: 21.25 inches x 29.25 inches An attractive landscape scene of figures on the banks of the river Severn by Robert John Hammond. A man can be seen steadying a boat whilst a woman and her daughter wait by the bank. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred...

Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...

Storm Clouds over the River Yare *see notes below English School, circa 1830's circle of John Constable (English 1776-187) oil painting on canvas, framed canvas: 18 x 25 inches condi...

Large Victorian painting of children resting outdoors by J.O. Banks English, late 19th Century Frame: Height 91cm, width 111cm, depth 10cm Can...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

Artist: John Cheltenham Wake (English, 1837-1882) Title: "Fishermen Unloading the Day's Catch, Dover" *Signed and dated by Wake lower left Year: 1874 Medium: Original Oil Painting on Canvas Framing: Recently framed in a green and gold ornate gesso moulding Framed size: 16.5" x 24.5" Canvas size: 12" x 20" Condition: One area in upper left sky professionally restored. In otherwise very good condition Notes: Provenance: private collection - Vero Beach...

Holy Baptism, Oil painting on canvas by an unknown artist About the artwork: Bible Scene, Early 18th Century, Florentine School TECHNIQUE: oil pai...