Constant Dore

CONSTANT DORE (FRENCH 1883-1963) PONT AVEN SCHOOL OIL - THE RIVER SEINE PARIS

Artist/ School: Claude Pelletier, French signed & dated 1946. Title: Le Pont Marie, Paris (old exhibition labels verso). Medium: oil painting on ...

Artist/ School: by Lucien Chanterelle (French b. 1890) Title: Le Pont Marie, Paris. A beautiful Impressionist oil painting from the 1930's p...

Le Pont Neuf, Paris by Edouard Henri Leon (French 1873-1968) signed lower front corner inscribed and titled verso oil on canvas in wooden surround slip frame wooden frame: 18.5 x 25....

The River Seine at Incheville by Guy Pichon (1933-2007) oil on canvas, framed signed and dated 93' Titled verso canvas: 24 x 29 inches provenance: private ...

A beautiful 1925 post-impressionist oil on canvas depicting the banks of the river Seine in Paris, by Georges Pacouil. Excellent quality early work by t...

Provenance Alexander Gallery, until 2009 Albert Jean Adolphe was known as a decorator, a portrait painter, and a landscape artist. He worked in oil and watercolor. Born in Philadelphia in 1865, he attended the Pennsylvania Museum School of Art. After graduation, he traveled to Europe and studied under Jean Leon Gerome and James Whistler at the Ecole des Beaux Artes in Paris and under DeVriendt in Antwerp. Adolphe was a member of the Graphic Sketch Club and the Philadelphia Art Club. In 1894, he was awarded a honorable mention at the Columbian Exposition in Chicago and in 1899 he received an honorable mention in Paris. From the Philadelphia Art Club he won the Stotesbury Prize. He did decorative work at the Marlborough-Blenheim Hotel in Atlantic City, New Jersey. For many years, Adolphe showed in Chicago, St. Louis, and in Philadelphia. From 1898 to 1902, he exhibited at the Paris Salon and later in Antwerp and Munich. C. David Howell...

Initialed lower right, 'Kay' for Kay Christensen (Danish, 1899-1981), dated verso, "27 October 1948" and titled, 'Paris'. A serene, Parisian cityscape showing an aerial perspective of the Seine and the Île Saint-Louis viewed from above the Quai des Célestins, and looking towards the Île de la Cité and Notre Dame in the distance. This early Danish Post-Impressionist artist first studied with Marie Sandholt and Astrid Holm at the Copenhagen Art Academy and, subsequently, at the School of Graphics (1929-31). Christensen continued his studies while traveling widely in Europe, including to Germany and Austria (1913-14), Paris (1917-23) and to Budapest and Vienna (1934). In 1935, he was awarded the Michaelsen Scholarship which enabled him to remain in Paris during the late 1930's. During intense period of development and creativity, he moved away from the bold colors and defined forms of his earlier Fauve and Cubist periods and began to explore the creation of predominantly single-color works, often in blues or greens accented with subtle shades of white. After the Second World War, he returned frequently to paint in Paris. Kay Christensen, like his friend, Rainer Maria Rilke, followed a solitary artistic path in which his imagery was characterized by a personal aesthetic of sensuality combined with a spirited boldness and expressive force. He exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards. Christensen's work is held in private and public collections including the State Art Museum of Denmark and Copenhagen's Metropolitan Museum, among others. We are pleased to offer this lyrical perspective of the Seine, the Pont Marie and the Île Saint-Louis painted...

French School 19th Century A Harbour Oil on board Image size: 8 x 10 inches Contemporary frame The current bridge was constructed back in 1876 and named the Pont Sully, or Pont de ...