Cynthia Young

Edge of Autumn

2023

Blue,White,Indigo, navy, sage, green 37 x 62" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Blue,White,Indigo, navy 40 x 80" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Blue, green, navy, white, teal 12 x 12" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Blue, Violet, Purple, Navy, Sapphire. 29 x 23" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Navy, yellow blue Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Blue,White,Indigo, navy 40 x 72" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Step into the world of abstract contemporary art with Joyce Weinstein's "City-Morning-Skyscape", a captivating painting from 1982 that flaunt the artist's early brilliance and creati...

Original semi abstract oil painting of the coast around North Cornwall, United Kingdom. The use of palette knives as well as large brushes have created ...

Original semi abstract oil painting of the coast around North Cornwall, United Kingdom. The use of palette knives as well as large brushes have created texture in the piece and bold ...

Sarah Benham is a Massachusetts-based artist whose straightforward figurative paintings subtly portray suburban New England society. Drawing inspiration from painters such as David H...

Abstract expressionist painter, Barbara Leiner engages with the landscape in a dialogue between line, color, texture, femininity, and emotional strength and vulnerability. Leiner dra...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...