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Danny HellerGossips2021
2021
About the Item
Represented by George Billis Gallery, NYC & LA -- My latest series opening at the George Billis Gallery, “Birth of the Cool,” celebrates the midcentury “cool” lifestyle of Manhattan. In a time when the architecture was forward-thinking, guests dressed their best for airline travel, and the jet age influenced even automobile design, the impact of optimism was felt daily. From a 1959 Ford Galaxie to the organic curves of an Eames chair, society was changing, embracing avant-garde design, and incorporating strong, streamlined forms in all aspects of the built environment. This series of paintings focuses on these segments of design – the architecture, furniture, automobiles, and even fashion – that communicated a creative exuberance through bold aesthetics. Seeing the graceful contour of the iconic TWA Flight Center paired with the swooping lines of a 1959 Oldsmobile, one is able to connect the stylistic parallels between these facets of the Modern metropolis. Paintings featuring touchstones of midcentury furniture not only showcase their own intrinsic beauty, but when viewed with the rest of the body of work, reinforce the element of “cool” that ran deep in the design of the time. While this series communicates the innovative power of these vestiges of the past, it should also act as a reminder that they, in fact, still exist and are more relevant than ever.
- Creator:Danny Heller (1982, American)
- Creation Year:2021
- Dimensions:Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU183210730022
Danny Heller
Danny Heller paints the reality of the American environment: how structures once revered for their groundbreaking ideas in design and social planning have been perpetuated and how they have been forgotten. Primarily focusing on the nation’s mid-century identity, Heller plays with lighting, dramatic angles, and specific colors to form engaging paintings that capture architectural elements. He uses a realistic style to paint those moments where design and environment come together harmoniously in order to showcase the compelling characteristics of these spaces. In some ways, Heller acts as a documentarian of an endangered architectural culture in America. However, these paintings are a bit more personal, as they tend to focus on locations from the artist's childhood or at least slices of an era recounted to him from his parents’ and grandparents’ times. By painting these historically and personally significant scenes, Heller reconnects with a presumably by-gone time period whose remnants actually still exist. Because
especially in an age that values constant change, when the past is demolished to
make way for the brand new, we are at risk of losing our collective history. Without
which, we leave ourselves devoid of a foundation to build our future on.
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