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David HinchliffeCommuting at Dusk - contemporary impressionism London painting2025
2025
About the Item
Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010.
David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.”
- Creator:David Hinchliffe (Australian)
- Creation Year:2025
- Dimensions:Height: 15.75 in (40 cm)Width: 19.69 in (50 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: Ella 20.02.251stDibs: LU738315834792
David Hinchliffe
David Hinchliffe has been painting, exhibiting and selling his work in galleries since the age of 12. He has won numerous competitions as a young artist (Sunday Mail Art Prize, ABC Argonauts Award, Atlantic City Sculpture Award, Toowoomba Gemini prize).
David has travelled and painted widely in the United States and UK and is represented extensively in collections both in Australia and overseas. While his work is principally oils on canvas or linen, he has also produced many gouache works and sculpture as well as holding two exhibitions of his photographs (“Two to the Valley, 1992, and “Detours”, 2010).
His style has been described as “contemporary impressionism”. “My recent work deals with the urban environment in its many forms in cities around the world as well as an abiding affinity with the Australian landscape. It is a response to light. I like the movement of light across a surface — whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes – whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris and London streets, the quirky laneways of Melbourne, the crowded pedestrian footpaths of Brisbane city, or the treed streets near my home in inner suburban New Farm and studio in Fortitude Valley Australia.
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