David Konigsberg

Oak at Dusk - Contemporary Landscape Gray Clouds Blue Sky Brown Tree, 2025

2025

In this contemporary landscape painting in oil on panel by David Konigsberg, the drama and sublime beauty of the sky in New York State's Hudson Valley is captured. The artist is wide...

In this contemporary oil painting on muslin mounted on panel, ivory pale yellow house, illuminated by the sun, can be seen through the shrubbery in its backyard, magenta pink flowers...

A peaceful outdoor scene in summer of delicately painted lavender and violet blue flowers in a grassy field beneath a tree with dark green leaves, beautifully capturing the idyllic f...

The densely treed forest and gray boulders of Hennen's Wyatt Mountain, Virginia home are the subject for this highly detailed contemporary landscape painting in oil on panel set in s...

Incoming tide at the breakwater by Georgie Dowling is an original oil painting portraying the scene of the incoming tide crashing over the rocks at the breakwater in Bude, Cornwall. ...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...