Village Archery Tournament, 17th Century School Of David Teniers (1610-1690)

View Of Posillipo from the Riviera di Chiaia, circa 1695 by ANGELO MARIA COSTA (1670-1721) Huge 17th Century Italian Neapolitan School view of Posillipo from the Riviera Di Chiaia,...

Cattle And Sheep Resting By The Water, 19th Century Thomas Sidney Cooper, RA (1803-1902) - Rare large example of the artists Huge 19th Century English landscape with cattle and she...

The Otter Hunt, dated 1901 by Edward Armfield (1817-1896) Huge 19th Century scene of an Otter Hunt with Otter Hounds closing in on the game, oil on canvas by Edward...

Study Of Wild Hares, 19th Century by William Melchior (1817-1860) 19th century English study of a pair of wild hares hiding with a huntsman in the distance...

A lovely mid 20th century Danish oil on canvas depicting a busy coastal shipping scene with numerous vessels. The work is signed lower right and again on the reverse. Presented in ...

Scott Naismith’s painting Moulded by Water is an original painting that has been created using oil and spray paint on linen canvas. Scott Naismith usually paints bright and vibrant a...

In this painting, I've merged the vivid, emotive strokes of expressionism with the subtle, light play of impressionism, all grounded in realism's tangible forms. Using oil paints, I ...

This landscape painting by Swedish artist Fritz Lindström captures the tranquility of the Stockholm archipelago. "An Autumn Evening Study, 1901" is a stunning portrayal of a rural scene at dusk. The painting's delicate pink and purple sky envelops the landscape in a soft glow, hinting at the transition from day to night. In the middle ground, a farmer with his horse can be seen plowing a field, adding a narrative element to this peaceful scene. This work is one of several paintings Lindström created during this period, following his time in France and prior to joining the Rackstad group in 1903. BIOGRAPHY Fritz Lindström started his artistic journey as an apprentice in decorative painting under Carl Grabow, where he met fellow artist Björn Ahlgrensson. He later studied at the Artists' Association School in Stockholm with Richard Bergh (1892–1894 and 1895–1896) and at Valand Art School in Gothenburg under Carl Larsson (1894–1895). His studies continued in Copenhagen and Paris from 1897 to 1899. In 1900, Lindström returned to Sweden, drawn to Värmland by his friend and brother-in-law Björn Ahlgrensson. From 1903 onwards, he became part of the Rackstad group—a community of artists who saw the countryside as an ideal setting for artistic and spiritual work. This belief resonated with Lindström, and he remained dedicated to this lifestyle for over fifty years, living and working by Lake Racken. Lindström's early artistic focus was on the challenging art of human studies, which piqued his interest. Despite financial struggles and difficulty selling his paintings, he gained recognition mainly for his portraits, known for their well-constructed composition and deep psychological insight. Portrait painting became crucial for his financial stability. Interest in his landscape paintings grew when the director of the National Museum happened upon his landscapes during an exhibition opening...