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Dean CornwellRiver Boat, The New World
$7,500
£5,713.85
€6,588.30
CA$10,496.10
A$11,727.64
CHF 6,134.86
MX$143,818.47
NOK 78,391.82
SEK 74,336.21
DKK 49,172.04
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About the Item
Medium: Oil on Canvas
Signature: Signed Lower Left
- Creator:Dean Cornwell (1892 - 1960, American)
- Dimensions:Height: 19 in (48.26 cm)Width: 38.5 in (97.79 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 39631stDibs: LU38436264502
Dean Cornwell
Dean Cornwell was an American illustrator and muralist born on March 5, 1892, in Louisville. Dean Cornwell was Normam Rockwell's favorite Illustrator. At the peak of his popularity he was nicknamed the ‘Dean of Illustrators’. He was a student of Harvey Dunn and he in turn taught artists and developed talents for a generation. Cornwell's paintings were in Cosmopolitan, Redbook, True, The American Weekly, Life and Good Housekeeping. He has done book arts for The Man of Galilee and others. Cornwell has also taken up advertisement contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt Jemima, Seagram's Gin, Woodbury Soap, Palmolive, Coke, Goodyear, New York Life and Squibb. Cornwell was an icon of the ‘Golden Age of Illustration’. Cornwell died on December 4, 1960, in New York.
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By Dean Cornwell
Located in Fort Washington, PA
Medium: Oil and Pencil on Board
Dimensions: 29.50" x 23.25"
Signature: Signed Lower Left
Category
Early 20th Century Figurative Paintings
Materials
Oil, Board, Color Pencil
$55,000
Cosmopolitan Story Illustration
By Dean Cornwell
Located in Fort Washington, PA
Date: 1930
Medium: Oil on Canvas
Dimensions: 40.00" x 30.00"
Signature: Initialed and Dated Lower Right of Right Canvas
Woman with suitor/explorers wearing pith helmets
Pub...
Category
1930s Figurative Paintings
Materials
Canvas, Oil
Find the Woman
By Dean Cornwell
Located in Fort Washington, PA
Date: 1920
Medium: Oil on Canvas
Dimensions: 24.00" x 30.00"
Signature: Signed Lower Right
1920 Cosmopolitan - page 63 of cornwell book
Nicknamed "The Dean of Illustrators" by his peers. A cartoonist at 18 for Louisville Herald. By 1911 he was in the Chicago Tribune's Art department while studying at the city's Art Institute. In 1915, a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt Jemima...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
Woe is Me
By Dean Cornwell
Located in Fort Washington, PA
Medium: Oil on Board
Dimensions: 25.50" x 20.00"
Signature: Initialed Lower Right
Category
Early 20th Century Figurative Paintings
Materials
Oil, Board
$10,500
Never the Twain Shall Meet, Cosmopolitan Illustration
By Dean Cornwell
Located in Fort Washington, PA
Date: 1923
Medium: Oil on Canvas
Dimensions: 35.50" x 30.00"
Signature: Signed Lower Left
Never the Twain Shall Meet, Cosmopolitan illustration, 1923
This illustration appeared in Peter B. Kyne's story, Never the Twain Shall Meet.
"'Ah!' said Tamea. 'You do not believe, then, that I am the Queen of Riva?' 'No,' retorted the health officer, 'I do not. You're the Queen of Hearts.''"
It was also reproduced on page 76 of Dean Cornwell: Dean of Illustrators by Patricia Janis Broder, Collector's Press, 2000.
Exhibited:
Masters of the Golden Age: Harvey Dunn and His Students
South Dakota...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
The Exquisite Perdita
By Dean Cornwell
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed and Dated Lower Right
Category
1920s Figurative Paintings
Materials
Canvas, Oil
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More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face."
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