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Deniz BayavEnd December, Oil painting on Canvas, Leafs, Forest, Realistic Nature, Botanical2023
2023
About the Item
Work : Original Oil Painting, Unique Work. Handmade artwork. Ready to Hang.
Medium : Oil and Acrylic painting on Canvas.
Artist : Deniz Bayav
Subject : Fin de décembre (Title / FR) End of december (Title/EN)
In End of December, Deniz Bayav unfolds a scene of humus and fallen leaves with an almost meditative precision. This carpet of quiet decay becomes a stage for eternal return: the withered forms, far from evoking an end, seem to carry within them the promise of renewal.
Much like Nietzsche’s concept of eternal return—where each moment is destined to repeat itself infinitely—Bayav captures a frozen yet vibrant cycle, where every fallen leaf silently prepares for future germination. The realism here is not merely a stylistic exercise, but a philosophical act : to make visible the invisible rotation of life.
The greens piercing through the browns, the subtle light on the withered matter, all suggest that nothing truly dies—everything begins again, slowly, quietly, inevitably. In this fragment of earth, Bayav paints not a moment, but eternity in a spiral.
Signature : The work is signed and dated verso.
Size : H 11.81 X W 11.81 inches - H 30 x W 30 cm and 2cm depth.
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To learn more about this work, please contact us via the 1stdibs messaging system.
Deniz Bayav was born in 1980 in Merzifon, Turkey. She lives and works in France. After finishing her licence at the University of Marmara (Istanbul) in the Fine Arts Education/Painting Department, she pursued her Master and PhD studies in the same university while working more specifically on painting and printmaking.
She is a professor at Trakya University Painting Department in Edirne. She has been teaching painting, printmaking and drawing at this university since 2006. During the 2018-2019 academic year she worked as a “visiting professor” at Paris 8 University Department of Visual Arts in France. She is working as a “visiting professor” at the Higher School of Art Dunkerque-Tourcoing in the 2023-2024 academic year.
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I have been working on the notion of opposition both in my paintings and engravings.
When we have a look at my different series from the past to the present, this opposition is sometimes achieved through obvious contrasts of the different values of the colors, sometimes with light-dark areas, sometimes by distinct texture contrasts or opposing concepts: Existence and nonexistence, birth and death, organic and inorganic, fresh and faded… Leaves, feathers, eggs, bitten apples and rotting fruits always carry marks that point to the beginning and the end. Thus, it establishes links with “vanitas” and “memento mori” in art history.
In my daily life, in my nature walks, I always search for effects, objects and organisms that remind me of this opposition and cycle and I transfer some of them to my works. This cycle and “eternal return” are treated in Thus Spoke Zarathustra as follows: “Everything goes, everything comes back; the wheel of being rolls eternally. Everything dies, everything blossoms again, the year of being runs eternally.”
- Creator:Deniz Bayav (1980, Turkish)
- Creation Year:2023
- Dimensions:Height: 11.82 in (30 cm)Width: 11.82 in (30 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:AIX-EN-PROVENCE, FR
- Reference Number:1stDibs: LU1826216143722
Deniz Bayav was born in 1980 in Merzifon, Turkey. She lives and works in France. After finishing her licence at the University of Marmara (Istanbul) in the Fine Arts Education/Painting Department, she pursued her Master and PhD studies in the same university while working more specifically on painting and printmaking. She is a professor at Trakya University Painting Department in Edirne. She has been teaching painting, printmaking and drawing at this university since 2006. During the 2018-2019 academic year she worked as a “visiting professor” at Paris 8 University Department of Visual Arts in France. She is working as a “visiting professor” at the Higher School of Art Dunkerque-Tourcoing in the 2023-2024 academic year. _____
I have been working on the notion of opposition both in my paintings and engravings. When we have a look at my different series from the past to the present, this opposition is sometimes achieved through obvious contrasts of the different values of the colors, sometimes with light-dark areas, sometimes by distinct texture contrasts or opposing concepts: Existence and nonexistence, birth and death, organic and inorganic, fresh and faded… Leaves, feathers, eggs, bitten apples and rotting fruits always carry marks that point to the beginning and the end. Thus, it establishes links with “vanitas” and “memento mori” in art history. In my daily life, in my nature walks, I always search for effects, objects and organisms that remind me of this opposition and cycle and I transfer some of them to my works. This cycle and “eternal return” are treated in Thus Spoke Zarathustra as follows: “Everything goes, everything comes back; the wheel of being rolls eternally. Everything dies, everything blossoms again, the year of being runs eternally.”
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