Earl Bailly

"Blue Rocks, Nova Scotia"

1963

Original oil on canvas painting of the Arc de Triomphe du Carrousel by the Dutch born artist Johannes Schiefer. The Eiffel Tower appears in the distance. A whimsical take on Paris....

Original oil painting on artist canvas board painting by the California artist, Fern F. Cunningham. Signed lower right. Titled in pencil on stretcher verso. Circa 1940. Condition is very good. Recently professionally cleaned. The painting is housed in its original period frame. Overall framed measurements are 14.5 by 17.5 inches. Provenance: A Sarasota, Florida collector. Fern Cunningham Stone (1889-1975). She was born in Defiance, Ohio on August 4, 1889. A painter, she specialized in impressionist still life works, landscapes, and seascapes of California. Born Fern F. Smith, she married Napoleon Arthur...

Oil on wooden panel painting of the iconic Flatiron building in New York City by the British artist Claude Cahill Cooper. Signed lower right. Condition is excellent. Circa 1975. The painting is housed in its original ornate gold leaf frame. Overall framed measurements are 23.25 by 19.25 inches. Claude Cahill Cooper (b. 1941) An Impressionist painter, he uses the pointillist method in many of his paintings. . Claude Cahill Cooper was born in London, England to parents who were both doctors. Recognizing his talents in drawing at an early age, his parents enrolled him at the Coventry Art School while he was still attending primary school. In later years he attended the London Art Institute and had his first show a few years later. His works are exhibited in London, Paris, and New York and his typical signature is C.C. Cooper. Flatiron Building, originally Fuller Building, steel-framed skyscraper in New York City that was completed in 1902. It is one of the city’s oldest surviving skyscrapers. The Flatiron Building on Fifth Avenue is significant not only in its unusual appearance but also as one of the key buildings in the Beaux-Arts Classicist movement. Its architect, New York–born Daniel Burnham, is better known for his work and plans in Chicago than in his city of birth. In 1873 he formed a partnership with John Wellborn Root that was significant in creating a group of architects and engineers called the Chicago School. The commercial office tower scheme, named initially after the building’s promoter George Fuller...

Very well executed oil painting of the Bay of Naples showing fishermen netting their catch with a smoldering Mount Vesuvius in the background. Signed R. ...

Original oil on canvas painting of a bucolic summer’s day. Beautifully executed with warm, rich tones and wonderful water reflections. The painting was painted circa 1935 by the well known artist, George Thompson Pritchard. Signed by the artist lower left. Condition is good; recently professionally cleaned. The painting is framed in its original gold leaf over carved wood period frame in very fine condition. Overall framed measurements are 34 by 39 inches. Provenance: Delray Beach Florida estate. Born in Havelock, New Zealand on April 11, 1878, George Thompson Pritchard studied in Auckland, New Zealand at the Academy of Art, at the Elam School of Art, and at the Melbourne Academy of Fine Arts in 1901. Upon arriving in San Francisco in 1906 in the aftermath of a devastating earthquake and fire, he produced many paintings during his three-year stay in the city. He then spent a few years in Milwaukee before journeying on to Paris for further art study at Académie Julian, and at the Vanderheldt Academy in Amsterdam from 1911 to 1914. During World War I, Pritchard lived in Canada, New York City, and Richmond, VA. In addition, he lectured and exhibited at colleges and universities throughout the Southern United States. In 1935, he settled in Southern California and had studios in Glendale and Santa Monica. He taught art at his studio and exhibited regularly with the Glendale and Santa Monica Art...

Beautiful oil on canvas post impressionist painting by the French artist, Edmund Amedee Heuze. Signed lower right. Circa 1920. Condition of the painting is very good. No restorations. His paintings rarely come to the market. The painting is housed in a contemporary gold leaf gallery frame. Overall framed measurements are 24.25 by 28.75 inches. Provenance: Papillon Gallery (gallery label verso) Edmond Heuze 1883-1967 Edmond Heuzé was a painter, pastellist, watercolourist, and lithographer. His birth name was Amédée Le Trouvé. He was born in Paris, the son of a tailor and a seamstress. Heuzé wanted to be an artist from early childhood, and refused to follow his father into the tailoring profession. When he was 11, His parents moved to Montmartre, and it was there, in rue Cortot, that the thirteen-year-old Edmond Heuzé and his boyhood friend André Utter met Suzanne Valadon, whom Utter would later marry. Heuzé moved into an attic room in 8, rue Cortot, with another friend, the young Russian sculptor Laxine. For two years they studied under Valadon, until Laxine entered the atelier of Fernand Cormon at the Beaux-Arts; Laxine was soon to kill himself. Edmond Heuzé too studied under Cormon, but flounced out when Cormon made fun of his large nose. Discouraged, Heuzé took up a tailoring job at the department store La Samaritaine. But when his portrait of Suzanne Valadon was accepted by the 1902 Salon d'Automne, he resolved to devote himself to art. To support himself, Heuzé took a job as a dancer at the Moulin Rouge, where he danced with La Goulue. For two years he entered dance competitions across Europe under the name Williams. He also taught the painter Maurice Utrillo, who was the son of Suzanne Valadon. In 1908, Heuzé had his first solo exhibition, at the galerie Berthe Weill. The following year he went to Saint Petersburg, where he was the curator of the art collection of Grand Duke Nicolas. On the outbreak of WWI Edmond Heuzé returned to Paris to join up, but was only mobilized for a few months. In Paris he survived doing odd jobs in Les Halles. Continuing with his own art, Heuzé also acted as an intermediary between collectors and artists such as Picasso, Vlaminck, and Valadon. This led to Heuzé being appointed artistic director of the galerie Sagot in rue Lafitte. In 1920 Heuzé exhibited at Bernheim alongside Maurice Asselin, Emily Charmy, and Lucien Mainssieux...

A fine mid 20thCentury Modernist/Post Impressionist Landscape circa 1952 oil on canvas 46cmx54cm Good quality silver gilt gallery frame 59cmx68cm Painted by Thure Wahlstrom (1908- ? ...

Sylvette Ammann Chanel (fl 1953-1994) French. Le pont de Bois. oil on board 37cmx46cm original french frame 50cmx58cm Viewi of a French town showing the old wooden bridge and clock T...

David R. Buchanan 20th Century British. 'Men at Work' circa 1930's oil on canvas 45cmx60cm good quality gallery frame 61cmx76cm A dymanic scene of a gang of road workers laying mains...

A fine 20th Century Modernist figurative oil painted by Christian Pedersen Bellinge (1897-1984) oil on canvas 60cm x 70cm painted wooden frame 68cmx 78cm A good late work by the well...

Pieter Fraterman (Dutch, * 12th April 1910, Den Haag – † 18th March 1969, Den Haag) In the Orchard Garden • Oil on Fibre board ca. 50 x 60 cm • Frame ca. 64 x 73 cm • Signed lower right Pieter Fraterman begann his studies by attending the evening classes held by H. Meijer and J. Giessen at the Royal Academy of Art in Den Haag from 1930 to 1936. In a second period during the war Pieter continued his studies at the Royal Academy from 1941 to 1944 under H. Meijer, H. van Dam and W. Schrofer. Pieter received plenty of recognition during his career. In 1937 he received a Royal grant, the Jacob Maris...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...