Edmund Gill

Wonderful Victorian oil of a waterfall in the Welsh or English mountains

1868

A charming image of cherubs cavorting with sheaths of wheat in a woodland setting. Follower of Jean-Honoré Fragonard Cherubs cavorting before a tree Oil on panel 10¾ x 14 inches exc...

A very atmospheric scene of a horse and cart crossing the river Wey (a tributary of the river Thames) under a beautiful twilight sky. There is wonderful detail and light with the ar...

A very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...

A wonderfully atmospheric view of a harvest scene painted in a most attractive impressionistic style. Lewis George Fry (1860-1933) A figure walking by haystacks, Limpsfield Signed Oil on panel 9¾ x 14 inches Landscape painter. Born at Clifton, Bristol, on 3rd July 1860. Educated at Clifton and at New College, Oxford. Studied art in London under Francis Bate and at the Slade School...

A wonderful summer sky in this well known Suffolk view. Geoffrey Chatten ( born 1942) Shingle Street, Suffolk Signed Oil on board 14 x 21 inches inc...

A fluidly painted impression of this well known sailors' haven at Pin Mill on the River Orwell, Suffolk. Hugh Boycott Brown (1909-1990) Thames Bar...

Archer was born at Newcastle-upon-Tyne, in 1808. In 1820 he went to London, and became a pupil of John Scott, a noted engraver of animals. His apprenticeship was cut short when Scott became ill, and he returned to Newcastle. There, in collaboration with William Collard he etched a series of large plates of Fountains Abbey, after drawings by John Wilson Carmichael, and on his own produced several plates for Mackenzie's History of Durham. He then moved to Edinburgh, where he made a collection of drawings of the ancient buildings and streets of the city. In about 1830 he returned to London, and entered the studio of the engravers William and Edward Finden, who were then working on illustrations for the annuals and such publications as their Bible Illustrations, and The Ports and Harbours of Great Britain. After a few years the market for this kind of illustration declined, and Archer had to find less renumerative work engraving plates for the New Sporting Magazine. Having been elected a member of the New Society of Painters in Water Colours, he produced a series of drawings of St. Mary Overy, previous to its restoration, and of Lambeth Palace. Having accumulated more than one hundred drawings of London...

Wonderful English Victorian River Landscape during the Summer with horses, fields , trees etc Thomas O Hume was an English landscape painter who exhibit...

19th century Dutch / European oil on mahogany panel, landscape with a man out walking his dog. Wonderful painting, circa 1870, painted on one sheet...

Wonderful English Victorian River Landscape. Thomas O Hume was an English landscape painter who exhibited from 1864-1892. He showed his paintings at t...

Wonderful late 19th-century oil on panel of wood depicting shipping at a sunset. Pauman was from either Belgium or France and his works are held in private collections in both countr...

Wonderful early to mid 19th century English Cottage landscape. Oils on an oak wooden panel, this piece has a great feel and quality. Framed in its original frame this piece is an e...