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Edouard Van Esbroeck
19th century impressionist painting - Summer in the Countryside , a shepherdess

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19th century French Barbizon school painting Elegant group outdoors
By Jules Coignet
Located in Aartselaar, BE
19th century Barbizon painting "The nymphs bathing in a forest landscape" The artist wonderfully captured this dreamy scenery with vibrant colours and assured brushstrokes, inviting...
Category

19th Century Impressionist Figurative Paintings

Materials

Oil, Panel

Large 17th century Italian old master - Noli me tangere, Christ in the garden
By Pier Francesco Cittadini
Located in Aartselaar, BE
Large 17th Century Italian Old Master, The Garden - Noli me tangere, Pier Francesco Cittadini (attr.) Description In the stillness of a garden in bloom, Noli me tangere captures a p...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Bustling 17th century harbour landscape with fishermen, visitors and merchants
By Mathys Schoevaerdts
Located in Aartselaar, BE
17th Century Flemish Painting "A bustling scene of fishermen, merchants and visitors in a peaceful and picturesque port village” This intriguing painting offers a wonderful and real...
Category

17th Century Old Masters Landscape Paintings

Materials

Canvas, Oil

Large 17th century religious family painting - Mary with Christ and Anna
Located in Aartselaar, BE
17th century Old Master painting depicting the Infant Christ with Mary and St. Anne attributed to Nicolas de Liemaker The artist of the present work wonderfully captured the loving gaze of Maria, looking in awe at her child. One can sense the tenderness and love in her eyes. The eyes of Christ appears to be filled with wisdom and love and a finely painted aura crowns his and his mother's heads. St. Anne, Mary's mother, gently holds the infant whilst gazing adoringly at him. The painting is not only a beautiful depiction of Christ and his mother and grandmother, but also a sweet image of the tender bond between a mother's and their children. The vibrant and soft colours of the fabric create a soft cocoon around the figures and seem to further emphasis the beauty and importance of the depicted scenery and its protagonists. Nicolaas de Liemaecker (also spelled as Liemaker or Liemackere) was a Flemish painter born in Ghent in 1601. He was also known under the name Nicolaas Roose. His father was Jacobus de Liemaecker, a painter upon glass. Nicolaas is reported to have been trained by his father and Gaspard de Crayer II (1), an apprenticeship with Otto Van Veen has also been suggested. In 1624 he worked at the Court of the Bishop of Paderborn and for Ferdinand of Bavaria. He later returned to his native city, where he focused on religious and historical paintings. He was a very accomplished and celebrated artist who attained a high rank in his profession. He witnessed the baptisms of Pieter and Janne-Marie Van Hulle...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Large oil from 1902 - German school - Portrait of Sisterly love - Sisters Family
Located in Aartselaar, BE
Sweet and large oil painting "Sisterly love" signed and dated 1902 by August Algermissen The present painting depicts two sisters seated in an interior, the youngest is gleefully lo...
Category

Early 20th Century Romantic Portrait Paintings

Materials

Canvas, Oil

18th century French Old Master Portrait of a woman in oriental costume
Located in Aartselaar, BE
French 18th century old master portrait of a majestic lady dressed "à la Turque" The sitter at the viewer with a kind and enigmatic smile and twinkling eyes. She looks elegant and kind, yet also has an intelligent and determined aura, reflecting the character of someone who is in charge of her own life and destiny. De Silvestre paid great attention to her spectacular outfit, which is striking in its portrayal of the sumptuous fabrics and their decorative richness. She is wearing a luxurious royal blue robe à la...
Category

1740s Old Masters Portrait Paintings

Materials

Canvas, Oil

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"Venetian Scene with Gondola" Colorful 20th Century Impressionist Oil Painting
Located in New York, NY
A charming Venetian scene with gondola oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking with gondolas and an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Venice so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower left and it comes housed in a gold tone carved wood frame with hanging wire on verso ready to be displayed. Art measures 12 x 16 inches Frame measures 16.5 x 20.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...
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