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Elaine HolienTrees on the Chama2010
2010
About the Item
Trees on the Chama
22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass
red green blue yellow
I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color, the clouds, and the beauty of the high desert landscape.
The Abiquiu and Ghost Ranch areas of Northern New Mexico give me such peace and joy. The landscape of the region and its beauty flows with inspiration. These are places where the land has been patterned by the plow and the fields and orchards form geometric shapes. Blossoms, leaves and fruit add special brilliant colors to the already bright landscape. These cultivated valleys contrast with the wild serendipitous look of the surrounding pinon-studded hills. The winding river is the thread that ties the towns together. I began painting the New Mexico landscape 38 years ago while spending a semester at the D. H. Lawrence Field School in Taos as a young archeology student from Queens College. I always take my paintbrush and watercolors wherever I go, documenting my travels through brushstrokes.
While working on the “Riverland” series with its large brightly colored shapes, I noticed that an intimate view of the land is made of patterns and textures. This insight lead to the formation of the “Nature Study Series.” This series is about the dots and dashes that come together in special ways for everything in Nature: trees, birds, grasses, rocks, stars... I study everything as if it were composed of a series of dots and dashes. The formula I arrive at is presented in the image as a personal view of a small piece of nature.
- Creator:Elaine Holien (1956, American)
- Creation Year:2010
- Dimensions:Height: 32 in (81.28 cm)Width: 40 in (101.6 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Fe, NM
- Reference Number:1stDibs: LU51332411293
Elaine Holien
Elaine Holien first came to Taos in the summer of 1967 to study anthropology at the D.H. Lawrence Field School. She met her future husband on this initial trip, returned to New York to finish her studies, then finally returned to New Mexico to marry Tom Holien. Her first job was documenting the Kachina collection in watercolor renderings at the Wheelwright Museum. Through the years Elaine’s work has evolved, but always painting the landscape. Her paintings are vibrant in color and focus on simplifying the landscape. She selects elements that depict the essence of a place. “Regarding the landscape, the patterns and colors interest me the most. I am drawn to the yellow trees against the reddish, pinkish earth, or patterns of green pinions against the red earth.” A painter in New Mexico for 35 years, Elaine Holien is one of New Mexico’s premier landscape painters. One of her favorite locations to paint is the region of Ghost Ranch and Abiquiu. “New Mexico is one of the most beautiful places. Everywhere you look is a painting.”
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The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began.
Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete.
My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas.
“New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “
Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California.
At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis.
She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations.
Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools.
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Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions:
Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California
Instructor at La Romita School of Art in Umbria, Italy
Instructor at Montfacon in Limoux, France
Charles Russell Art Auction in Great Falls, Montana, 10 years
National Arts Club in New York
Salmagundi Club in New York
National Academy of Design in New York
American Watercolor Society, New York, Signature Member
National Watercolor Society, California, Signature Member
National Arts Club, New York
Pennsylvania Watercolor Society
Western Federation of Watercolor
Florida Watercolor Society, convention show juror and instructor
Baltimore Watercolor Society
Las Posada Painting Group, annual workshop, Green Valley, Arizona
Rocky Mountain National Art Exhibition
Adirondacks Watercolor Exhibition
San Diego Watercolor Society
New Mexico Watercolor Society
Pikes Peak Watercolor Society
Tokyu Gallery Exhibitions, Tokyo, Japan
William and Mary College, Williamsburg, VA Summer children’s Art Program
Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado
Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering
Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show
Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years.
Ghost Ranch Art Workshops Director, Abiquiu, New Mexico
Arts For The Parks annual Exhibition and Traveling Show
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