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Elaine KazimierczukWind across the Gorse II, Scotland, Original painting, Meadow, Nature, Yellow2020
2020
About the Item
Elaine Kazimierczuk comments "Due to lockdown, I was unable to travel and work outdoors making photos and sketches of meadows in preparation for studio work, so I ran a campaign on social media with the hashtag #paintmymeadow, asking people to send me photos of meadows where they lived. This is an image of Menstrie Glen in the Ochil Hills from a video made by the Scottish nature writer Keith Broomfield.
The sight of the sun catching the the vivid yellow flowers and the sound of the wind across the gorse enabled me to imagine the sensation of being there. Working from a video rather than a still photograph meant I could show a sense of movement in this piece.
ADDITIONAL INFORMATION:
Wind across the Gorse II by Elaine Kazimierczuk [2020]
Original painting
Oil on canvas
Complete Size of framed work: 64 H x 64 W x 3 D cm (25.20 x 25.20 x 1.18 in)
Sold Framed
Please note that insitu images are purely an indication of how a piece may look
SIZE:
Image size:
Height: 61cm (24.02 in)
Width: 61cm (24.02 in)
Complete size of unframed painting
Height: 61cm (24.02 in)
Width: 61cm (24.02 in)
Depth: 2cm (0.79 in)
Framed Size:
Height: 64cm (25.20 in)
Width: 64cm (25.20 in)
Depth: 3cm (1.18 in)
ARTIST BIOGRAPHY:
ARTIST BIOGRAPHY:
Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist.
She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions.
She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment.
In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award.
Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire.
In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality.
Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
- Creator:Elaine Kazimierczuk (Polish)
- Creation Year:2020
- Dimensions:Height: 25.2 in (64 cm)Width: 25.2 in (64 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: WYCHWOOD ART GALLERY1stDibs: LU63237438012
Elaine Kazimierczuk
Elaine Kazimierczuk artist paints original art and is available to buy online and in our art gallery. Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award. Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
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