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Elizabeth Higgins
The Light Across

2023

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Forgotten Landscape
Located in Greenwich, CT
Elizabeth Higgins Biography b. 1960 Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an insp...
Category

2010s Abstract Impressionist Landscape Paintings

Materials

Canvas, Oil

Spring Time II
By Jan Pawlowski
Located in Greenwich, CT
Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministr...
Category

2010s Abstract Impressionist Landscape Paintings

Materials

Canvas, Oil

Three Trees
Located in Greenwich, CT
Elizabeth Higgins Biography b. 1960 Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an insp...
Category

2010s Abstract Impressionist Landscape Paintings

Materials

Oil, Board

Early Spring
By Maureen Chatfield
Located in Greenwich, CT
Abstract coastal landscape painting by Maureen Chatfield.
Category

2010s Abstract Landscape Paintings

Materials

Oil, Canvas

Falling Light
By Ira Barkoff
Located in Greenwich, CT
Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vas...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

Dusk
By Ira Barkoff
Located in Greenwich, CT
Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vastness” and instill feelings of awe in his viewers, he says. Furthering his exploration of the abstract, Barkoff paints in his studio, rather than en plein air, fabricating landscapes from his visual and emotional memories. The Impressionist-turned-Expressionist painter is inspired by the atmospheric qualities of works by Claude Monet and J. M. W. Turner and cites Gerhard Richter as a more contemporary influence. He recently transitioned from using a paintbrush to using a squeegee and palette knives for his work, as the latter allow for greater spontaneity and manipulation of color. He says of his work: “Looking at a blank canvas can be both exciting and frightening at the same time. Most of the time exciting wins out and I plunge in. That is, I paint the landscape, which for me is what it’s all about. The landscape represents nature and contemplating nature is being in touch with God. You could cast me as a modern-day Luminist-Tonalist-Impressionist. Monet’s Water Lilies have been a big influence, along with the landscape painter Wolf Kahn.” “The landscape is what I see before me or from my mind’s eye. When I paint a mountain or a tree, I’m not trying to capture the mountain or tree literally (that’s what a photograph does). I’m trying to express my inner spirit in the painting – to transcend the physical to reach the spiritual.” “My most successful pictures are not those that are the most accurate in terms of nature, but are the ones where the state of my consciousness allowed me to translate my feelings – my deepest inner feelings – to the canvas. When I get into this altered state...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

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