Eric Abrecht

"Evening Tide" Abstracted Landscape with Trees, Oil on Canvas Painting

"A Vision" is an unframed oil on canvas painting by Joseph Adolphe, depicting an abstracted landscape with a floating sheet. The vibrancy and tense, twisted forms of the sheet held a...

"All Blues (For Miles)" is a framed oil on canvas painting by Marshall Noice, depicting an abstracted copse of trees with gentle foliage amid a hazy blue and...

"Paynes Gray Forest" is a framed oil on canvas painting by Marshall Noice, depicting an abstracted copse of trees with gentle foliage amid a gray blue background befitting its namesa...

"A Message From Home No. 4" is an unframed oil on canvas painting by Joseph Adolphe, depicting an abstracted landscape with a floating sheet. The tension of the wrinkled, disheveled ...

"Mood Indigo" is a framed oil on canvas painting by Marshall Noice, depicting hazy dark blue trees amid an indigo and fuchsia background. The colors suggest a darker and more evenin...

"Deeper" is a framed oil painting on canvas by Marshall Noice, depicting an abstracted copse of trees set against a multicolored leafy background. The vibrancy of the foliage in the ...

Step into the world of abstract contemporary art with Joyce Weinstein's "City-Morning-Skyscape", a captivating painting from 1982 that flaunt the artist's early brilliance and creati...

Original semi abstract oil painting of the coast around North Cornwall, United Kingdom. The use of palette knives as well as large brushes have created ...

Original semi abstract oil painting of the coast around North Cornwall, United Kingdom. The use of palette knives as well as large brushes have created texture in the piece and bold ...

Sarah Benham is a Massachusetts-based artist whose straightforward figurative paintings subtly portray suburban New England society. Drawing inspiration from painters such as David H...

Abstract expressionist painter, Barbara Leiner engages with the landscape in a dialogue between line, color, texture, femininity, and emotional strength and vulnerability. Leiner dra...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...