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Eric Lamontagne
Clair de lune déchirant

2018

About the Item

Lamontagne has an interest for the conflicting relationship that exists between the end of the landscape and its contemplation, as well as for the so-called death of painting. The parallel between landscape’s decay and painting’s obsolescence nurtured his artistic process. The artist decided to cut right through his landscape paintings and to reuse the cutout pieces from the same canvas into 3D consumer goods. These canvas deductions partially disfigure the painted sceneries. His gesture toward trompe-l’oeil is somewhat reminiscent of the cubist technic of painting objects on multiple angles at once, allowing them to emerge from the surface of the canvas. Here, illusion becomes disillusion.
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