Errol Barron

Venice Marsh

2023

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

New England marsh, tide going out :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

Gouache on paper This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After...

‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the ...

A painting done at a Freeport, NY preserve after a rain storm. I always like the effect of the dry marsh grass against its wet base :: Painting :: Impres...