Eugène Louis Boudin

Moulin à Vent à Zaandam, 19th Century

View of Pen Maen Mawr, Anglesey in the distance, dated 1864 by Edmund John Niemann (1813-1876) Large 19th Century view of Pen Maen Mawr looking towards Anglesey, oil on canvas by E...

Moose By The Water Edge, Great Lakes, Canada, 19th Century Signed Indistinctly Huge 19th Century landscape from the Canadian Great Lakes of a Moose at the bank of the lake, oil on ...

Hayle, Cornwall, 19th Century by EDMUND FULLER (1858-1944) sales to $10,000 Large 19th Century view of Halle, Cornwall, oil on canvas by Edmund Fuller. Excellent quality panoramic ...

British Royal Navy HMS Encounter Anchored Off Naples, 19th Century TOMMASO DE SIMONE (1805-1888) Large 19th Century view of the British Royal Navy fleet off the coast of Naples, oi...

Beau Carey (born 1981) is an American painter and educator based in Albuquerque, NM. He embeds himself in challenging environments to experience and record a sense of place. Carey ha...

Moscow. "On the red square". Kremlin, St. Basil's Cathedral. Russian art. Very good condition. Unframed. Solovykh Gennady Ivanovich (1932, Moscow). Member of the Union of Artists ...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

Drawn to art since childhood, Jose Antonio Fuentes began his artistic career at a young age in the 1960s. At nine years old the Spanish born artist sold drawings to his neighbors and exchanged paintings for gifts with his classmates. An academically gifted student, he ranked higher than his peers and joined older classmates to enter the baccalaureate program at the age of ten. There he completed additional advanced arts courses. In 1970 Fuentes featured in his first group exhibitions in local and provincial cultural centers. Unfortunately, his academic and artistic career was truncated when his father abruptly left his family, leaving the family in financial difficulty. At the age of fourteen, Fuentes was forced to leave school to begin working and support his family. After years of both working and saving money, in 1978 Fuentes garnered enough savings to enroll in school at La Marina in Spain, where he was first in his class. Whenever circumstances allowed he continued to draw and paint, participate in art contests, and visit all nearby museums and artists' workshops. Fuentes strongly believes that observing other cultures, landscapes, and people is vital to a painter’s understanding of how to portray the world. In the early 1980s Fuentes married and began a family. The domestic and financial obligations to his young family prevented the free time necessary to continue painting. Fuentes notes that the postponement of his artistic career to raise his family is never a source of regret as there is nothing more fulfilling than to see his children grow. As his children grew older in age and required less of Fuentes’s time in the 1990s, he was able to travel more extensively and resumed his cultural tours. He visited cities in Spain such as Madrid, Barcelona, Seville, and Bilbao, and spend countless hours in acclaimed museums and cultural centers including El Prado, Thyssen, Conde Duque, the Sorolla Museum, the Guggenheim Museum in Bilbao, the Picasso museum, the Joan Miro Foundation, and the Tapies Foundation in Barcelona. He also extensively attended exhibition openings, artist talks, conferences and workshops where he learns from masters of realism including Toral, Naranjo, Antonio Lopez, Munoz Vera, Macarron, Leon Olmo, Claudio Bravo, Lapayese, Perez Villalta...