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Evelyn Faherty
Early Autumn, Bucks County

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"The Gathering"
By Joseph Barrett
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Oil on canvas Joseph Barrett (b. 1936) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massac...
Category

20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

"The Canal"
By Edward Willis Redfield
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...
Category

Early 1900s American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Jersey Shore"
By Evelyn Faherty
Located in Lambertville, NJ
Signed lower right. Evelyn Faherty (1919 - 2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley, Pennsylvania. She is a Bucks County Impressionist...
Category

20th Century American Impressionist Landscape Paintings

Materials

Oil, Board

"Woodland Brook"
By Evelyn Faherty
Located in Lambertville, NJ
Signed lower right. Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley, Pennsylvania. She is a Bucks County Impressionist...
Category

20th Century American Impressionist Landscape Paintings

Materials

Oil, Board

"Arrival of Spring"
By Evelyn Faherty
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardl...
Category

21st Century and Contemporary American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Canal House, Lumberville"
By Evelyn Faherty
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley, Pennsylvania. She is a Bucks County Impressionist...
Category

20th Century American Impressionist Landscape Paintings

Materials

Oil, Board

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Rooster at 5 a.m. Oil Painting, Rooster, Texas Artist, Animal Paintings, Framed
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Beyond the Clearing
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This piece is an original oil painting on panel by American artist Ginny GC Williams. It was painted en plein air during a painting expedition to Vermont. With vivid light and color, the artist has given us a glimpse through the trees to a long view across a field to the far mountains. Using brushstrokes and drawing into the paint, the piece is reminiscent of Japanese woodblock prints that inspire the artist. The piece is beautifully framed in a handmade curly maple floater frame with contrasting spline joints at the corner. a beautiful presentation. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects...
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