Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

Ferdinand Jean Luigini
'Place de la Concorde Paris' by Ferdinand Jean Luigini (circa 1900 - 1915)

Circa 1900 - 1915

More From This Seller

View All
The Boat in Martigues, France
By Marie-Anne Nivoulies de Pierrefort
Located in London, GB
'The Boat in Martigues', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Martigues is a small port town just northwest of Marseille in the South of France. Its nickname is the Provençal Venice. Further eastward down the coast is the town of Toulon where the artist was born in 1879. Nivouliès depicts a charming sailboat tied to the small pier yet with an unfurled sail. It looks to be a wondrous day along the Mediterranean, the kind we can always dream about. The painting is over one hundred years old and is in fair condition, yet recently brought back to life by an art restoration professional. Elegantly framed, it is stabilised now for decades into the future. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided of the artwork. About the Artist: Although she was a direct descendant of the counts of de Pierrefort, Marie de Nivouliès de Pierrefort's (1879-1968) family was very poor. In spite of the poverty, Pierrefort attended a Catholic school run by nuns, obtaining a scholarship from the School of Fine Arts of Paris. While still a student, she attended workshops of great Impressionist masters such as Pierre Auguste Renoir (1841-1919) and Pierre Bonnard (1867-1947). In 1910 she won a travel award from the school and traveled to Tunisia where she painted several Mediterranean landscapes. In 1938 the painter moved to Rio de Janeiro, Brazil, where she painted the beautiful landscapes seen from her window. In Rio, Pierrefort had two individual exhibitions, both at the National Museum of Fine Arts, in the years 1946 and 1956. Although widowed in 1944, Pierrefort decided not to return to France until 1950. She remained there until 1959 when she definitively returned to Brazil. Her atelier in the neighbourhood of Glória was frequented by many emerging artists who learned the techniques of impressionism from her. Afterwards, Pierrefort painted for almost a decade in Brazil until she passed away in 1968 in Rio. After her death, many canvases were found in her studio but had been damaged or destroyed by humidity and by the intervention of her many cats. The painter Sergio Telles...
Category

1910s Impressionist Landscape Paintings

Materials

Canvas, Oil

Le Jardin du Luxembourg
By Marie-Anne Nivoulies de Pierrefort
Located in London, GB
'Le Jardin du Luxembourg', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Parisians are not equivocal about their park preferences. Some clearly favour the Tuileries, while others stand firmly with feet planted in the Jardin du Luxembourg. Perhaps this is analogous to residents' strongly-held preferences for either the Café Deux Magots or the Café de Flore, just down the Boulevard Saint-Germain. Back to the gardens though, I have always been captivated by the Luxembourg Gardens. It's the lawns, tree-lined promenades, tennis courts, flowerbeds, model sailboats on its octagonal Grand Bassin, as well as the picturesque Medici Fountain...
Category

1910s Impressionist Landscape Paintings

Materials

Canvas, Oil

'Port of Saint-Malo', French Modern School
Located in London, GB
'Port of Saint-Malo', oil on canvas affixed to board, French Modern School (1984). Although the artist dated this painting '84, it depicts a nostalgic view of the port of Saint-Malo in Western France's, Brittany in 1884 judging by the clothing worn by the characters depicted. The crowd on the shoreline is watching a sailboat regatta starting just inside the port's breakwater. A rather rare sunny day in Brittany brought out the parasols of the sitting ladies on the edge of the old ramparts. The walled city...
Category

1980s Modern Landscape Paintings

Materials

Canvas, Oil, Board

'Banks of Solitude' French School (1926)
Located in London, GB
Immerse yourself in the tranquil beauty of "Banks of Solitude," a charming oil painting on board from 1926. Though the artist is unknown, this exquisite piece captures the essence of...
Category

1920s Landscape Paintings

Materials

Oil, Board

Piazza di Spagna Roma
By Yves Brayer
Located in London, GB
'Piazza di Spagna, Roma' oil on canvas, by Yves Brayer (1933). At the bottom of the Spanish Steps, is one of the most famous squares in Rome. It owes ...
Category

1930s Expressionist Landscape Paintings

Materials

Canvas, Oil

Boats on a Pond
By Charles Kvapil
Located in London, GB
'Boats on a Pond', oil on canvas, by Charles Kvapil (circa 1930s). This tranquil artwork depicts people fishing from their small boats. The motionless pond is surrounded by lush foliage with some homes as backdrop. The painting is spattered with light. With hardly any air moving in the scene, the still water plays...
Category

1930s Landscape Paintings

Materials

Canvas, Oil

You May Also Like

European urbanscape and river original oil on cardboard painting
By Josep Marfa Guarro
Located in Barcelona, Barcelona
Frameless. Josep Marfa Guarro (1928-2014) Josep Marfa Guarro was a Catalan painter specialized in landscape painting. Among Josep Marfa Guarro's work are numerous watercolors and ...
Category

1980s Impressionist Landscape Paintings

Materials

Oil, Cardboard

"Moab Plateaus" Oil Painting
Located in Denver, CO
David Shingler's (NC based) "Moab Plateaus" is an oil painting that depicts the vast desert dotted with grasses leading to the towering plateaus of Moab...
Category

2010s American Impressionist Figurative Paintings

Materials

Oil, Board

"Panpandemic" Oil painting
Located in Denver, CO
Todd Carpenter's (US based) "Panpandemic" is an oil painting that depicts a black and white landscape of towering snow capped mountains and vast, deserted valleys Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...
Category

2010s Impressionist Landscape Paintings

Materials

Oil, Board

"Post Progress" Oil painting
Located in Denver, CO
Todd Carpenter's (US based) "Post Progress" is an oil painting that depicts a black and white vast landscape with telephone poles overrun with brush and dense foliage, and mountains in the distance Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...
Category

2010s Impressionist Landscape Paintings

Materials

Oil, Board

"Imagination Towers Emptily" Oil painting
Located in Denver, CO
Todd Carpenter's (US based) "Imagination Towers Emptily" is an oil painting that depicts a black and white landscape of vast plain leading to a distant city radiating with light Bio...
Category

2010s Impressionist Landscape Paintings

Materials

Oil, Board

"Shores of Next Year" Oil painting
Located in Denver, CO
Todd Carpenter's (US based) "Shores of Next Year" is an oil painting that depicts a black and white landscape of vast plains with a small river winding into the distance and swirling...
Category

2010s Impressionist Landscape Paintings

Materials

Oil, Board

Recently Viewed

View All