Fiona Pearce

Fiona Pearce, Dusk 2, Graphic Art, Bourne Woods Art, Bright Painting, Forest Art

2022

Depiction of The Shard across the river Thames Additional information: Acrylic paint on Paper 43 H x 53 W x 2 D cm (16.93 x 20.87 x 0.79 in) Sold framed Image size: Height: 30cm (1...

Bank, Poultry and the Royal Exchange Part of Neon London Series Exhibited at the ING Discerning Eye 2023, Mall Galleries Additional information: Acrylic paint on Canvas 12 H x 12 W ...

Amanda Horvath Golden Evening Light Original Acrylic Painting on Canvas Acrylics on canvas Image size: 71cm x 71cm x 2cm Framed size: 87cm x 87cm x 5cm (Please note that in situ imag...

Pixie Willoughby Rainforest Acrylic on canvas Size: H:61 cm x W:61 cm Sold unframed (Please note that in situ images are purely an indication of how a piece may look). Having spent ...

Charles Pachter returns to the Canadian wilderness for this painting. The internationally recognized pop artist has chosen to celebrate the sumach, a tree that is native to North America. Pachter’s sumach frames an orange harvest moon which appears in the fall. Farmers often use the light of this full moon to harvest their crops late into the night. Pachter’s moon is small and distant and the thin line of a lake and mountain in the background give the painting a greater depth of perspective. A painter, printmaker, sculptor, designer and author Pachter is a graduate of University of Toronto...

Josh Talbott's (US based) "Untitled at Sea" is an acrylic painting that depicts a small toy red piano floating suspended in a light blue sea background. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...

Botanical imagery layered with shapes in mauve, sapphire, yellow and green form a playful narrative in this acrylic painting by Fiona Ackerman. The painting is part of a series inspired by the narratives and botanical drawings of women...

Original acrylic painting on 24 x 48 inch canvas with 1/5 in inch deep clean white sides. Unframed. This is the fourth in the artist's ‘Twilight’ series of nine monochrome botanical...