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The Falls at Tivoli, Italy

Signed lower right. Nick Eggenhofer was one of the most popular illustrators of western story magazines and books in America from the 1920s to 1940s. ...

Thaddeus Welch (American 1844-1919) The Columbian Exhibition, the 1893 Chicago World’s Fair 70 x 35”, oil on board signed Request Price The C...

Signed lower right and dated 1950.

Singed lower right. William R. Davis is noted as a marine painter. He grew up in Hyannis Port, Massachusetts. He is a self-taught artist whose oil paintings typically capture the serene light of sunrise or sunset on the water. He employs many of the techniques traditionally used by American luminist painters to realize his personal vision, showing a marked preference for 19th century subjects. In 1987, Davis had the first one artist show ever mounted at the Mystic Maritime Gallery in Mystic, Connecticut. All twenty of the works featured in that show were sold at the opening reception. In 1990, he received the Mystic Maritime Gallery Award of Excellence, and his painting entitled Calm Day Off Latimer's Reef appeared on the cover of Mystic's The Art of the Sea Calendar in 1993. Three of his paintings were also used in the book Shipwrecks Around Boston by Cape Cod author, William P. Quinn. Rockport Publishers has included Boston Harbor at Sunset in a new book entitled, A Gallery of Marine Art. Much of Davis' early works pays homage to 19th century artists such as James Bard, Martin Johnson Heade, Antonio Jacobsen and Fitz Hugh Lane...

David Solot, a dentist and painter, was born in Falciu (Romania) and settled in Paris in 1928. His art was surrealistic dentally inspired plus portraits and city landscapes. **************************** Translated from an article by Luana Hrisanti Rigot: "In 1956, at the Charlotte Norberg Gallery (Paris), he presented his first personal exhibition, composed of an ensemble of surrealist paintings of professional inspiration (dental elements). Two years later, at Gallery Royale (Rochefort), he exhibits another 50 paintings on the subject. At that time, a decisive event for the painter David Solot was made: a great new-York-born antibiotic producer Lederle Cy learns about his work and contacts him through the US Ambassador to Paris, proposing an advertising contract and buying the reproduction right for 24 of its canvases. A year later, the same company bought the right to print three of its cloths in color. This was the starting point of his international notoriety. In 1959, the American Dental...

Monogram lower right. But for sheer numbers, as well as degree of fame, the activity which is most closely linked with this Adirondack town is painting. Mrs. Peggy O'Brien, who has long studied Adirondack artists, finds over 400 have painted in these mountains and Keene Valley was the summer capital for many of them. The earliest in the valley are Asher B. Durand (1796-1800), considered a co-founder of the Hudson River School, John Casilear (1811 -1893) and John F. Kensett (1816 - 1871) coming in 1848. Frederick Perkins came in 1857, boarded at the Bruce home, and with Orson Phelps sat on Mt. Marcy and named Skylight, Basin and Saddelback Mountains. Roswell Shurtleff came first to Keene Valley in 1868 and returned each year for the rest of his life, being, with A.H. Wyant, the first artists to have summer places here. Wyant built on the hillside east of the AuSable, Shurtleff on the west. Winslow Homer joined John Fitch and Shurtleff in Keene Valley for hunting, fishing, and painting. John Adams Parker was here by 1866, subsequently building. Robert Monior came in 1875 and by 1882 had a house that became a center for art students. Samuel Coleman arrived in the 1860's. Homer Martin (1836-1897), Sanford Gifford (1823-1880), and Arthur Parton (1842-1914) are but a few more of the recognized American artists who painted the AuSable lakes and mountain of Keene in the nineteenth century. In fact, the Heidelberg Museum of the Paletinate's salute to the American Bicentennial was a 1976 exhibit of work by the first German to the American scenes, a man named Kappel, and featured scenes around Beede's. John Marin brought Keene Valley art into the twentieth century. Harold Weston, son of S. Burns Weston, wintered alone at his AuSable Club studio 1920-21 to start his painting career, and gave us later life a good local history as well as art sampling in his autobiography Freedom in the Wilds (1971). Present day artists living or working in the town include Bruce Mitchell...

An oil on panel view of a Christmas tree in a landscape heavy with snow by Boggio. The painting is signed bottom left. A charming view of a snow scene, a Christmas tree its branches...

An oil on panel idyllic seascape by Boggio. The painting is signed bottom right. An idealised seascape scene, boats under sail on a tranquil sea moving away from a rocky outcrop all...

An oil on panel idyllic seascape by Boggio. The painting is signed bottom right. An idealised seascape scene, boats under sail on a tranquil sea moving away from a rocky outcrop wit...

Pinckney Marcius-Simons, (American, French, 1867-1909) Signed: Marcius-Simons, (lower, right) " Lost in Her Thoughts ", circa 1890-1892 Oil on mahogany panel bearing the stamp on verso of " H. Vieille e. Troisgros Sueei, 55 Rue de Laval...

Original Miniature 19th Century Austrian Pastoral Figurative Oil Painting on Wood Painted in the manner of late Romanticism, this charming miniature pastoral landscape by Edmund Fri...

Beautiful landscape of gum trees by listed Australian artist John Sharman (Australian, b. 1947), c.1990. These lovely iconic trees appear in the foreground, while the Australian landscape sprawls out into the distance. Signed "John Sharman" lower right. Displayed in a silver tone giltwood frame. Image size, 21"H x 23"L. Born in Sydney in 1947, John Sharman turned to full time professional art practice in 1980. He became part of a group of artists that included Bob Simpson, Doug Sealy, Robert Wilson, Warwick Fuller...