Items Similar to Dutch Fishing Vessels in Storm /// Francis Swaine Maritime Seascape Antique Ship
Want more images or videos?
Request additional images or videos from the seller
1 of 23
Francis SwaineDutch Fishing Vessels in Storm /// Francis Swaine Maritime Seascape Antique ShipCirca: 1770
Circa: 1770
About the Item
Artist: Francis Swaine (English, 1725-1782)
Title: "Dutch Fishing Vessels in Storm"
*No signature found
Circa: 1770
Medium: Original Oil Painting on wood panel
Framing: Framed in a Louis XV style gold moulding
Framed size: 10.63" x 12.63"
Panel size (irregular margins): 6" x 7.75"
Condition: One small restored spot upper left. Cosmetic wear to frame. In otherwise very good condition
Notes:
Provenance: private collection - London, England; acquired from art dealer Ernest Alden, London, England retaining his original gallery label on verso. Metal plaque inscribed "F. Swaine 1740-1782", (active dates), attached to frame bottom center.
Ernest William Alden (1866-1947) was recorded in successive censuses, in 1881 as a picture mounter (card maker), age 14, living at 9 Bloomsbury St, with several other members of his family also given as picture mounters, including his father, James; in 1891 as a picture frame mounter with his father and family at 208 Shaftesbury Avenue; in 1901 as a photographer and picture dealer at 39 King’s Road, Chelsea; and in 1911 again at 39 King’s Road but the census form is damaged. His listing in trade directories, initially as picture mount cutter, changed to picture framemaker from 1904, soon after he set up in the King’s Road. He advertised his large stock of second-hand swept and other frames, claiming to have been established in 1893 (The Year’s Art 1913). Alden died in Chelsea in 1947, leaving effects worth £5,011, with probate granted to his widow Lily Alden and to Marjorie Frances Alden. Two of his younger brothers, Henry Cyril Alden (1871-1939) and James Preston Alden (1876-1960), were also active as picture framemakers. - National Portrait Gallery, London, England.
Biography:
Francis Swaine (1725–1782) was a British marine painter. He was born in 1725, and christened on 7 October of that year at St Dunstan's, Stepney, London. His parents were named Francis Swaine and Ann Joel. In 1735 the elder Francis Swaine, the marine painter's father, applied in writing to the Commissioners of His Majesty's Navy for employment as a Navy Messenger, in succession to Mr William Wyatt. He mentions that he had served "upwards of twenty eight years" in the Navy, and that his father had died Purser of the Royal Katherine. He mentions also that he had carried out "little labours in drawing", and that he at that time had five small children. The first-born of these children was the Francis Swaine who became the marine painter. The elder Swaine was duly employed as a Navy Messenger. He served for 20 years and died on 10 October 1755, aged 64.
Swaine is said to have been influenced by the style of Van de Velde. There is no clear evidence of this alleged influence. The suggestion that Swaine may have been a pupil of Charles Brooking can be dismissed, as the difference in age between the two painters was a mere two years, and there is no visual evidence to support any such influence. On the other hand, Swaine was demonstrably strongly influenced by the style of the painter Peter Monamy (1681–1749), whose pupil he was.[1] In the will of Sir Samuel Young (1766–1826), son of Admiral Sir George Young (1733–1821), Francis Swaine is explicitly referred to as "Old Swaine, pupil of Monami". In Mark Noble's Biographical History of England, 1806, under the entry for Monamy, it is also stated that "Swaine, of Stretton Ground, Westminster, his disciple, and bred under him, was an excellent painter of moon-light pieces." This remark is well confirmed by his "Capture of the Foudroyant" (see illustration), which is also referred to in at least one source (David Erskine) as "The Moonlight Battle". The French ship subsequently served in the English Fleet as the Foudroyant.
Swaine married Monamy's daughter Mary at Allhallows, London Wall, on 29 June 1749, when he was aged 24. Their children were christened Anna Maria Swaine, on 27 Jan 1750/51; and Monamy Swaine, christened on 27 Feb 1753, both at St Dunstan's church in Stepney. Monamy Swaine also became a marine painter. Francis Swaine was a popular artist of his time and regularly displayed works at the Society of Artists of Great Britain and the Free Society of Artists. He died in 1782. Today, several of his works are held in the National Maritime Museum in London.
- Creator:Francis Swaine (1715 - 1782, English)
- Creation Year:Circa: 1770
- Dimensions:Height: 10.63 in (27.01 cm)Width: 12.63 in (32.09 cm)
- Medium:
- Movement & Style:
- Period:1770-1779
- Condition:(Very Good).
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121211541682
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2015
1,218 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Saint Augustine, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Forgotten Fence /// Realism Landscape Country Farm River Painting American ArtBy Adolf SehringLocated in Saint Augustine, FLArtist: Adolf Sehring (Russian/German-American, 1930-2015) Title: "Forgotten Fence" *Signed by Sehring lower right Circa: 1970 Medium: Original Oil Paint...Category
1970s Realist Landscape Paintings
MaterialsPaint, Oil, Board, Panel, Wood Panel
- Man in Tavern Smoking a Pipe /// Old Masters Dutch David Teniers Portrait FaceBy David Teniers the YoungerLocated in Saint Augustine, FLArtist: Unknown (Circle of David Teniers the Younger, Flemish, 1610-1690) Title: "Man in Tavern Smoking a Pipe" *No signature found Circa: 1690 Medium: Original Oil Painting on Wooden Board Framing: Framed in an antique gold gesso frame...Category
1690s Old Masters Portrait Paintings
MaterialsGold Leaf
- Promenade en Bateau en Soirée (Evening Boat Ride) /// Impressionist Painting ArtLocated in Saint Augustine, FLArtist: Frank Dicey (English, c. 1838-1888) Title: "Promenade en Bateau en Soirée (Evening Boat Ride)" *Signed by Dicey lower left Circa: 1880 Medium: Original Oil Painting on Canvas Framing: Recently framed within a black and gold Baroque style moulding with linen liner from Holland and and a gold filet Framed size: 24.75" x 30.75" Canvas size: 18.25" x 24.25" Condition: Relined. Minor craquelure. In excellent condition Notes: Provenance: private collection - Boston, MA. Biography: Frank Dicey (English, c. 1838-1888) was a figure painter born in London. He exhibited between 1880 and 1888 at the Royal Academy, Royal Institute of Oil Painters, Royal Institute of Painters in Water Colours and Grosvenor Gallery in London, as well as at the Glasgow Institute of the Fine Arts, Royal Society of Artists in Birmingham, Walker Art Gallery in Liverpool and Manchester City Art Gallery. Dicey also exhibited with the Royal Society of British Artists, a society which nominated James Whistler its President in 1886. He was elected a member of The Arts Club in 1866 and a member of the Royal Institute of Oil Painters in 1883. In 1874/1876, Dicey's name was included by James Whistler in a list which may have been a guest list for the private view of Whistler's Pall Mall exhibition of 1874, or a subscription list for Whistler's Venice etchings...Category
1880s Impressionist Landscape Paintings
MaterialsCanvas, Paint, Oil
- Vue de Venise (View of Venice) /// Antique French Boat Ship Seascape PaintingLocated in Saint Augustine, FLArtist: Inoel (French, Active: Late 19th Century) Title: “Vue de Venise (View of Venice)” *Signed by Inoel lower right Circa: 1875 Medium: Original Oil ...Category
1870s Victorian Landscape Paintings
MaterialsCanvas, Oil, Paint
- Fishermen Unloading the Day's Catch, Dover /// Antique Victorian Ship SeascapeLocated in Saint Augustine, FLArtist: John Cheltenham Wake (English, 1837-1882) Title: "Fishermen Unloading the Day's Catch, Dover" *Signed and dated by Wake lower left Year: 1874 Medium: Original Oil Painting on Canvas Framing: Recently framed in a green and gold ornate gesso moulding Framed size: 16.5" x 24.5" Canvas size: 12" x 20" Condition: One area in upper left sky professionally restored. In otherwise very good condition Notes: Provenance: private collection - Vero Beach...Category
1870s Victorian Landscape Paintings
MaterialsCanvas, Paint, Oil, Gesso
- Blue Ridge Blue Bird /// Virginia Countryside Landscape Painting Horse Farm ArtBy Jack Graves IIILocated in Saint Augustine, FLArtist: Jack Graves III (American, 1988-) Title: "Blue Ridge Blue Bird" Series: Eclecticism *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 ...Category
2010s Contemporary Landscape Paintings
MaterialsPaint, Canvas, Acrylic
You May Also Like
- Antique English 19th century marine sceneBy William AndersonLocated in Woodbury, CTOutstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...Category
1810s Old Masters Figurative Paintings
MaterialsOil, Wood Panel
- Old master painting of Cherubs cavorting in a woodland settingBy Jean-Honoré FragonardLocated in Harkstead, GBA charming image of cherubs cavorting with sheaths of wheat in a woodland setting. Follower of Jean-Honoré Fragonard Cherubs cavorting before a tree Oil on panel 10¾ x 14 inches exc...Category
Early 19th Century Old Masters Landscape Paintings
MaterialsOil, Wood Panel
- Landscape with travellers near a bridge - Attributed to Goffredo WalsLocated in Gent, BEOil on oval lime wood panel Collection number on the back: 272 We see a herd of goats and their shepherds on the bridge, one of the shepherds is on a horse, the others look at the men near the riverbank. Two standing figures are pointing and discussing with one another, while the other one is sitting and relaxing after a long trip. We'd like to thank dr. Guido Jansen for his attribution. Goffredo Wals was a German painter, who spent most of his career in Italy. Most of his works were in small format, often circular and painted on copper...Category
17th Century Old Masters Landscape Paintings
MaterialsOil, Wood Panel
- Ascension Day in Venice, Louis de Caullery (1582-1621), Flemish 17th centuryLocated in PARIS, FRAscension Day in Venice 17th century Antwerp School Attributed to Louis de Caullery (1582-1621) Oil on oak panel Dimensions: h. 19.68 in, w. 34.25 in Flemish style frame in ebonized ...Category
Early 17th Century Old Masters Landscape Paintings
MaterialsOil, Wood Panel
- Moses Strikes the Water from the Rock. XVII cent. Dutch school.Located in Firenze, ITMoses Strikes Water from the Rock Dutch school, XVII century. Workshop of Jacob de Wet (Haarlem, 1610-1675). Technique: Oil on oak wood panel, composed of 3 horizontal panels. In this evocative work, Moses stands in a cave, gathering the Israelites. There was no water to drink or for their cattle. The people were discontented in the desert. But Moses and Aaron listened to the voice of God. With Aaron’s staff, Moses struck the rock, and water gushed forth abundantly, quenching their thirst. Jacob de Wet’s workshop specializes in subjects from the Old and New Testaments. The recognizable rectangular format, simple compositions, and clear narratives define his style. The interplay of light and shadow, reminiscent of Rembrandt, adds timeless allure. The characters’ costumes, with their large hats and turbans...Category
17th Century Old Masters Figurative Paintings
MaterialsOil, Wood Panel
- Landscape with Gentleman on Horseback and Peasant Woman Receiving AlmsBy Philips WouwermanLocated in Stockholm, SEWorkshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...Category
17th Century Old Masters Landscape Paintings
MaterialsOak, Oil, Wood Panel