alexander leydenfrost

Futurist Vision - Mid-Century New York Skyline - Industrial Progress

1950 circa

The artist tells a whole action-packed story in one picture. A handsome young soldier shoots his pistol at a passing bomb-dropping airplane. The close call splashes water on him and his two sexy girl...

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. ( Gustaf Tenggren At...

Study for "The Glorious Flight - Across the Channel with Louis Bleriot"; 1983; Gouache on Illustration Board; 14.5" x 13.75"; Signed Lower Right; Unframed. From Wikipedia, the free encyclopedia Alice Rose[1] Provensen (née Twitchell; August 14, 1918[2] – April 23, 2018[3]) and Martin Provensen...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

This Golden Age of Illustration painting juxtaposes modern and ancient industrial practices. Giant eclectic generators from the current ti...

Alice and Martin Provensen were an American couple who illustrated more than 40 children's books together. In 1984, the won the Caldecott for The Glorious Flight, the story of aviator Louis Blériot...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Artist: Shimshon Holzman (1907-1986) Title: Untitled (Cafe Interior) Year: 1962 Medium: Watercolor and graphite on wove paper Size: 27.75 x 19.75 inches ...

The artist is dealing with the fullness of life, while the ground becomes shakier. There is nostalgia for a lush world that never actually existed. Her lighthearted series of drawing...

Artist: Shimshon Holzman (1907-1986) Title: Torah Scholar Year: 1962 Medium: Watercolor and graphite on wove paper Size: 13.75 x 19.75 inches Condition: Excellent Inscription: Signed...

Signed gouache on board impressionist landscape by French painter Luigi Loir. This work depicts the famous flood of Paris in 1910 when the Seine broke its banks in the largest flooding the city had seen in a 100 years. Loir likely painted this work "en plein air" as he encountered this rare natural occurrence. Signature: Signed lower left Dimensions: Framed: 13"x19" Unframed: 5"x11" Provenance: Private French collection He first exhibited at the Paris Salon in 1865 with a Landscape at Villiers-sur-Seine which brought him a certain amount of recognition. He was a regular exhibitor at the Salon des Artistes Français. Obtaining a third-place medal in 1879, and a second-place medal and a gold medal in 1889 at the Exposition Universelle in Paris. He was decorated with the Légion d'Honneur in 1898. Born in Austria to French parents who served the exiled French Bourbon royal family, Luigi Aloys-François-Joseph Loir moved with his family and the Bourbons to the Duchy of Parma in 1847. In 1860 his family returned to Paris following the expulsion of the Bourbons from Parma. But Luigi remained in the city, having enrolled, at the young age of eight, at the Accademia de Belle Arti. He eventually rejoined his family in Paris in 1863. There he studied with the decorative painter and set designer Jean Pastelot, making his Salon debut in 1865. Loir painted mainly views of Paris, in all seasons and at different times of the day or night. Loir was the Paris painter...