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Gina Phillips
Twisted Pine

2024

About the Item

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her work. She started her career as a painter, but over the years, has increasingly incorporated fabric and thread into her work. She begins a piece with a simple under-painting in acrylic paint on canvas or muslin…then finishes the piece by appliquéing fabric and thread on top. Phillips uses a communal gathering process to source her fabrics, as neighbors, friends, family often donate to her artistic process. Phillip’s work is characterized by a raw, narrative quality. The people and animals telling the story often embody a magical realism. Gina Phillips has a BFA from the University of Kentucky and an MFA from Tulane University’s Newcomb College. Her work has been exhibited in galleries and museums across the country including Pepperdine University, Ballroom Marfa, The Ogden Museum of Southern Art, the 21c Museum in Louisville, KY, the 21c Museum in Bentonville, AR, and Mason-Scharfenstein Museum of Art at Piedmont College in Demorest, GA. In addition, her work has been presented at numerous art fairs including PULSE LA, PULSE Miami, Texas Contemporary, VOLTA Basel, Miami Project for Art Basel Miami Beach, Seattle Art Fair, and Art Market San Francisco. Phillips’ work has been featured in Art in America, Oxford American, The Times-Picayune and ARTNews, among others. She was selected as one of twenty-seven international artists featured in the Prospect. 2 Biennial of Contemporary Art curated by Dan Cameron and her collection of fabric portraits was exhibited as a solo project at VOLTA8 as part of Art Basel in Basel, Switzerland. In 2014, Phillips' work was featured in a mid-career retrospective at the Ogden Museum of Southern Art in New Orleans, LA and at the Crystal Bridges Museum of American Art in Bentonville, AR in a group exhibition of 102 artists from across the country, entitled, “State of the Art: Discovering American Art Now”. She recently completed a 5 month residency at the Joan Mitchell Center, sponsored by the Joan Mitchell Foundation. Her work is in numerous collections including: Crystal Bridges Museum of American Art, Bentonville New Orleans Museum of Art; Ogden Museum of Southern Art; 21c Museum, KY; the Drake Hotel, Toronto; The Frederick R. Weisman Art Foundation; Tulane University and House of Blues (various locations across US.); Fidelity Investments Corporate Collection; Josh Rechnitz, Thomas Coleman, Ellen and Cooper Manning, Lyn and John Fischbach, and the collection of Marilyn Oshman.
  • Creator:
    Gina Phillips (1971, American)
  • Creation Year:
    2024
  • Dimensions:
    Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    New Orleans, LA
  • Reference Number:
    1stDibs: LU105216256742

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CROW VALLEY JFG EXHIBITION STATEMENT: Last summer, I was awarded a residency based in Briant, a small village located in the Brionnais region of France. I spent a week in Paris befo...
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CROW VALLEY JFG EXHIBITION STATEMENT: Last summer, I was awarded a residency based in Briant, a small village located in the Brionnais region of France. I spent a week in Paris before the residency began. I filled my days visiting museums, paying close attention to Impressionist, Post-Impressionist/Synthetist masterpieces; especially certain works by Paul Gauguin and Paul Serusier. I rented a car and drove out of Paris, headed to Briant. My goal was to spend my time in Brionnais painting landscapes, en plein air. I had never driven in a foreign country before, so I was a bit nervous at first. But after a couple of hours, I veered off onto the back roads and was awestruck by the seemingly never-ending, breathtaking vistas. There were amazing compositions to be had just about any direction I looked. Before long, I was feeling one with the tiny Citroen I was driving, and I was thoroughly enjoying zipping around the hilly landscapes dotted with fluffy white Charolais cattle, stone fences and villages anchored by Romanesque churches. I quickly settled into a routine; waking early, drinking tea with Julie (founder of the residency, Incident res), and then heading out to drive around the nearby countryside to find a spot to paint. It had been a few years since I painted landscapes from observation, and I was worried I might be a little rusty. But as soon as I started painting, I felt a meditative attunement in the process of capturing the scenes before me. I was surprised to find striking similarities between the farmland of Brionnais and the farmland surrounding my Central Kentucky home; the rolling hills, pastures divided by stone fencing and gravel lanes lined with gnarly trees growing into barbed wire fencerows. Last fall, I went home to Madison County, Kentucky and continued the series. This was a bittersweet time for me, because my grandfather, Sterling Moberly, was in failing health. Pawpaw and I were motorcycle riding buddies when I was in my early twenties. He would chart our course, traversing miles of backroads. The landscape was characterized by big black tobacco barns...
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