Gloria Sáez

Gloria Saez, "Campos de Castilla - Castile Landscape", Oil on paper, 2012

2012

"Between the Sky and the World" by Gloria Saez is a vertical abstract, oil paint on paper with soft whites, blues, peaches, yellows, pinks, grays and greens. The layers of under-pa...

"Campos de Castilla - Castile Landscape" by Gloria Saez is a horizontal abstract, oil paint on paper with muted, blues, yellows, oranges, greens and gray neutrals. The layers of un...

"Campos de Castilla - Castile Landscape" by Gloria Saez is a horizontal abstract, oil paint on paper with muted, blues, yellows, oranges, reds and neutrals. The layers of under-pai...

"Campos de Castilla - Castile Landscape" by Gloria Saez is a horizontal abstract, oil paint on paper with muted, yellows, pinks, reds and neutral shades of blues and grays. This is...

"Campos de Castilla - Castile Landscape" by Gloria Saez is a horizontal abstract, oil paint on paper with soft tans, blues, yellows, greens, reds and browns. The layers of under-pa...

"Campos de Castilla" by Gloria Saez is a horizontal landscape in oil paint on canvas in cool blues, warm yellows and dark blue contrasts. This is an abstract representation of an ag...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake over the surface, twisting into bodies that stretch from one side of the painting to the other. Additional objects have been attached to the surface—a paint-covered metal grill at the top and a wire rack on the right edge, for example—which accentuate the artwork's sculptural appearance. The resulting lattice of colors, forms, and objects gives the impression that, if the artwork's strata were excavated, much more could be discovered. In many respects, "excavation" is an appropriate way to approach Top of the Line (Steel).By layering paint and objects that Dial collects from around his home in Bessemer, Alabama, a suburb of Birmingham, the artist creates a series of evocative relationships. Dial encourages viewers to look closely at the artwork, excavating meaning from the interplay of forms and even from the title, which has several interpretations. For example, "top of the line" refers both to a position in an assembly line...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Original Period Newcomb Macklin Frame George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

"Untitled (View of Provincetown Harbor)", is an oil on panel work made by Hans Hofmann circa 1937. The work is stamped verso by the estate of Hans Hofmann. The artwork size is 17 1/4...