Gregory Hennen

Ridge View Wyatt Mt, Blue Sky, Clouds, Trees, Virginia Mountains

2013

In this contemporary landscape painting in oil on panel, a peaceful outdoor scene is set in autumn with a delicately painted field beneath a gray, cloudy sky, beautifully capturing t...

The densely treed forest and gray boulders of Hennen's Wyatt Mountain, Virginia home are the subject for this highly detailed contemporary landscape painting in oil on panel set in s...

The densely lush forest of artist Gregory Hennen's Wyatt Mountain, Virginia home is the subject of this rich, highly detailed landscape painting in oil on panel. A bed of verdant gre...

In this contemporary still life painting in oil on panel, crimson red flowers with dark green leaves in a golden planter with a face on the side sit on a patterned yellow tablecloth ...

Modern Luminist, Hudson River School landscape painting on canvas of a Riverbank, richly colored foliage and moon on the horizon "An Autumn Reverie" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower right This modern Hudson...

This painting was part of a series of foxglove studies that I created while hiking in the Olympic peninsula in Washington in July of 2021. The Foxglove were growing wild...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...