Gustavo Novoa

Spoken Shadows, Large Scale Modernist Southwest Adobe Oil Painting Gustavo Novoa

Suong Yangchareon (Thai American, 1952-) Acrylic on Canvas Los Angeles Street Scene with yellow taxi cab and cars. Hand signed with Initials. Dimensions: Overall Size: 25 1/4 x 49 1/4 in. Sight Size: 23 5/8 x 47 5/8 in. Yangchareon came to Los Angeles, California from Lampang, Thailand, Southeast Asia where he studied Fine Arts at the Arts & Crafts College (Poh Chang), Bangkok, Thailand and Sculpture and Graphic Arts, Silpakorn University, Bangkok, Thailand. In California he continued his studies at Woodbury University, receiving a degree in Advertising Design. He is a contemporary figurative realist artist. He painted the urban landscape of California, which have been exhibited in solo and group shows. His work is represented by prominent galleries nationally. Yangchareon spent much of his childhood at his father’s movie theater where he became fascinated with the world of American Westerns. The nostalgia for this idyllic film Americana can be garnered through his subject matter. Abandoned theaters, factories and businesses of an almost extinct era of architecture are carefully rendered in the soft morning light. Working from his own photography, shot during the early hours of the day, Yangchareon’s acrylic and oil paintings are largely devoid of human figures, but deeply imbued with their past presence. Recently, the artist has broadened his focus to include imagery of the city at night––rendering glistening rain-soaked sidewalks bathed in the artificial light of street lamps and movie marquees against an inky black sky. Yet, Yangchareon’s motivation remains the same; to find the hidden beauty in varying industrial landscapes and seeing splendor where most would argue it does not exist. Reminiscent of Edward Hopper, a sense of melancholy pervades his compositions in a quiet, detached manner. The influence of Richard Diebenkorn and Wayne Thiebaud can also be detected in the artist’s sense of color and in his interpretation of light. Moody LA auto culture artwork dealing with themes of isolation and alienation. Select Exhibitions 2017 Golden Dreams, The Hilbert Museum of California Art at Chapman University, Orange, CA 2016 In the Land of Sunshine: Imaging the California Coast Culture, Pasadena Museum of California Art 2016 Recent Paintings & Works on Paper, Paul Thiebaud Gallery, San Francisco, CA 2013–2014 Suong Yangchareon: Places Out of Time, St. Supéry Estate, Vineyards & Winery, Rutherford, CA 2012 Palm Springs Fine Art Fair, Palm Springs Convention Center LA Art Show, Los Angeles Convention Center Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) Texas Contemporary Art Fair, George R. Brown Convention Center, artMRKT San Francisco, Concourse Exhibition Center Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 San Francisco Fall Antiques Show, Fort Mason, San Francisco, CA San Francisco Fine Art Fair, Fort Mason, San Francisco, CA Art Chicago 2010, Merchandise Mart, Chicago IL 2009 Recent Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) 2008 Twenty-Five Treasures, Paul Thiebaud Gallery, San Francisco, CA Robert Arneson, Joan Brown, Fred Dalkey, Eileen David, Roy De Forest, Richard Diebenkorn, David Fertig, John Graham, Robert Hudson, Ed Musante, Manuel Neri, Arthur Okamura, John Santoro, Richard Shaw, Pam Sheehan...

Original Painting leopards surrounding a blue Venus nude sculpture. tropical jungle setting. Titled "Blue Venus". Hand signed recto and signed, t...

Magic realist fantasy painting in the manner of Ernst Fuchs and Arik Brauer. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Carol Jablonsky (1939-1992) Acrylic on canvas painting with collage titled verso "Letter in a Bottle" 17 X 17 framed 10.5 X 10.5 sight The image is whimsical and rather mysterious,...

The Whisper of Ernestine is a part of the diptych 38x57 in (97x146 cm) of size. This painting is sold with Certificates of Authencity. The Duality of two contrast beginnings that exist inseparably, but nonetheless creating the One whole thing, man and the woman, ying and yang. This eternal story for conversation and for truth searching. Here we can see two persons, but the real hero is hidden. One story told for two people. This colorful and black and white scene magically connects and divides parts of the Diptych, identifying the heroes of the Painting. Each painting, being fully finished, not only adding to the other one, but continuing it, demonstrating kinetic arts. This dialogue about love is making the spectators following the story and sincerely get emotional for Igor Fomin...

Prakash Karmakar – Landscape – 46 x 52 inches (unframed size) Acrylic on Canvas, 2007 Inclusive of shipment in roll form. Karmakar is best known for his landscapes and n...

Prakash Karmakar – Landscape – 47 x 42 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Karmakar is best known for his landscapes and nudes, ...

Prakash Karmakar – Landscape – 36 x 57 inches (unframed size) Acrylic on Canvas Signed lower right in Bengali Inclusive of shipment in roll form. Karmakar is best know...