Haleh Mashian

Whimsical Flow

2024

Haleh Mashian’s “Woodland Embrace” is a distinctive mixed media painting that captures the essence of a dense, layered forest through bold texture, rich contrasts, and unexpected bur...

This dynamic diptych artwork bursts with life, featuring a dense forest of tree trunks painted in an eclectic mix of vibrant and muted colors. Each trunk showcases a unique blend of ...

This 60 inch by 48 inch original textural painting on canvas is wired and ready to hang. It is signed by the artist on the back. The thick layering of paint, glitter and gold foil material presents a dazzling tactile nature to the work. The blue, gold and copper coloring brings out a beautiful patina like effect to this beautiful forest. This would be a marvelous addition to any collection. ABOU THE ARTIST - For over 20+ years, Haleh Mashian’s art has colorfully illustrated her unique, astute view of the world, both real and imagined. As a painter and creative expressionist, Mashian’s abstract works reveal her appreciation of color theory, compositional form, and the study of positive and negative space. Working in mixed media and using a variety of techniques from collage to impasto, a repeated layering and application of paint, Mashian’s dynamic pieces range from smaller artworks that can be arranged together to large-scale paintings. Her large-paneled paintings have been exhibited nationally in Los Angeles, Miami, and other art enclaves and are included in private collections in the United States and abroad. Her creativity extends into other forms as well. Haleh has included fashion design, digital art, and music into her repertoire of boundless expression. She is the Founder and Lead Designer for MASH City, her innovative men’s and womenswear collection. Originally from Iran, she is a longtime resident of Southern California with a Studio in Santa Monica where she lives with her husband and two children. TREE SERIES - The Tree Series presents an intricate study of positive and negative space and the mystery of multitudes in minimalism. These canvases, often large-scale, have the effect of walking into a multicolored forest. Art critic, Peter Frank, speaks of this series with awe: “Haleh Mashian does not paint trees. She does not paint forests. She paints the condition that persists between trees and forests...

The painting captures a surreal wilderness, where a forest of trees emerges from a tapestry of mixed media. Twisted trunks sculpted from plaster rise organically, intertwined with vi...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

TITLE: NEW ESSENCE DESCRIPTION: NEW ESSENCE was created in a moment of great optimism, reflecting the new beautiful things that are flickering in our lives this year. Playful brus...

Artist Commentary: Working on a different material, yupo, which is non absorbent, led to new ways to work. Ink and acrylic were poured onto a wet surface and allowed to puddle and dr...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-2016) Collectors Exhibitions 1970 jean Tannous graduates from the national superior institute of fine arts of the university of lebanon. he teaches at the same institute in 1974 and 1975. 1976 fleeing the lebanon war upon his arrival in paris, Tannous obtains the certificate of the commission of professionalism for artists & intellectual workers. affiliated with the maison des artistes, he works at the place du tertre doing portraits for tourists. during this period, Tannous masters all painting techniques, thanks to his years of experience spent in european museums doing copies of great masters. paris (1976-2001) finally Tannous settled down in paris. he participates in the creation of a fresco for the ratp in the subway, the spiral of the abbesses. he collaborates with the régie immobilière de la ville de paris and the mairie de paris. under this banner he will participate in several projects in belgium (ypres, ostende, ghent and bruges among others). in sandnes, norway, he contributes to the realization of another fresco, le pont de paris. the cartier and baume & mercier companies appeal to the talents of Tannous for their seminars. 1977 with the support of günther kaphammel, the famous german watercolourist, Tannous receives an invitation to exhibit in braunschweig at the jaeschke gallery. this is the beginning of his career in germany. Tannous collaborates with karstadt for a long time. he creates many portraits of celebrities that pose for him, such as rudi cerne, dr volker schmidt, herbert paschen and helmut marmulla. 1982 in paris, jimmy carter poses for tannous. the artist carefully keeps the thank-you letter that the former us president sends him. Tannous also portrays the former president of the ivory coast, his excellence félix houphouët-boigny and the sultan oman qabus ibn saïd. 1984 after a long period of research, Tannous discovers a new way to protect his artistic creations by covering them with an innovative varnish which quickly becomes his signature. the artist also excels in sculpture with the realization of busts. 1986 Tannous wins first prize in a painting contest held by l’île des impressionnistes. the winning work is acquired by the fournaise museum. 1987 karstadt-recklinghausen surprises the artist with a jubiläum for their ten-year collaboration. 1988 Tannous designed the entirety of the bang & olufsen home in parly 2 (chesnay-versailles). 1991 the artist founds and presides over carré ouvert, an official association of professional artists. it will be very active at the mitsukoshi gallery in paris for 9 years, performing, among other things, a decor of parisian cafés in trompe-l’oeil. 1992 carré ouvert organizes an event in carroz d'arâches with québecois artists, such as sylvain cousineau, suzelle levasseur, hanibal srouji and michel madore. the same year, paravision, chaired by raphaël berdugo, now known as europacorp, sponsors Tannous by providing him a large workshop for 8 years. from 1992 to 2000, the agency of modern art regularly represents Tannous in germany, especially in braunschweig, spain and united states. 1993 Tannous personalizes a harley-davidson for the harley-davidson convention in frankfurt (germany). 1996 in march, the artist is exhibited at the artexpo of new york, represented by the bernice jackson gallery. in july, he exhibits at the kennedy studios gallery in boston, alongside the works of hundertwasser. the next month, the caesars palace casino in atlantic city invites Tannous for a solo exhibition, for which he created twelve large formats paintings. 1997 france-okinawa elects Tannous vice-president of their association. this organization promotes relationships between france and japan. it brings okinawa’s kumi odori ballet to paris. Tannous founds europ'art, an association of experienced artists specialized in frescoes. karstadt (hambourg, germany) selects ten european painters for a major exhibition. Tannous is one of them. the artist collaborates with stephanie, an art dealer, who organizes several solo exhibitions in for him across switzerland - notably at the polo gallery, in männedorf-zürich. 1998 Tannous exhibits at porsche in fulda (germany) for a private sale reserved for their customers. the artist moves to 34 avenue des champs-élysées, where he establishes his workshop, keeping it until 2001. 1999 Tannous participates in the international kiev art festival (ukraine). in the scientific, economic and cultural guide der pfiffikus, Tannous is presented by katja gross as an innovative painter and creator of a new technique. hartmann tresore places an order to Tannous for a special edition of large safes...