Helen Enoch Gleiforst

Trees in Spring

1959

Mid Century California Mountaintops Forest Landscape by Joseph Frey Beautiful and serene mid-century landscape of snowy California mountaintops by listed California artist Joseph Fr...

Carriage at Old Mexico Village Dress Shop oil painting Beautiful mid century impressionist depiction of a Old World Mexico Village Dress Shop and Horse D...

Contemporary oil painting of a man playing his guitar on the front porch by San Francisco artist Michael William Eggleston (American, 20th century). From a collection of his works. M...

Pacific Coastal Seascape in Oil on Canvas Dynamic seascape by Evelyn Webb Meck (American, 1915-2011). Waves are crashing in around large rocks that a...

"Ole Swimmin Hole" Southern California Oil on canvas board 1930s Elegant mid century landscape depicting a lake and hillside in summer by well known and collected California artist ...

Country House in Eucalyptus Grove - California Landscape in Oil on Canvas Idyllic depiction of a country home near a group of eucalyptus trees by Henry B. Goode (Hungarian-American, 1882-1966). A small house with a red roof is nestled in among a grove of tall eucalyptus trees. The trees have a pink and purple glow about them, implying that a bright sunset is taking place behind the viewer. Signed "H. Goode" in the lower right corner. Presented in a vintage bronze-colored frame. Frame size: 28"H x 33"W Canvas size: 23"H x 28"W Henry B. Goode (Hungarian-American, 1882-1966) was born in Budapest, Hungary. He began painting boats sailing the blue Danube in Budapest at the age of 4-1/2. His art education continued in Budapest, Paris and New York. Goode immigrated to the United States as a teenager and settled in New York, eventually he played cello in the New York Philharmonic orchestra with Victor Herbert; he also became prominent in the field of dress design. Goode moved to California in 1922, where he began to focus on landscape paintings, as well as pen and inks of the classic silent screen and early stars of the 1930s and 1940s. Though Goode was known for his landscapes and drawings of the burgeoning stars of early years, he was also known for his portraits and sculptures. President FDR...

Signed lower right: Irving R. Wiles

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

signed lower right

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...