Henri Joseph Harpignies

Clair de Lune - Barbizon Oil, Night River Landsape by Henri Joseph Harpignies

1898

Signed and dated Barbizon School landscape oil on panel by French painter Henri Joseph Harpignies. The work depicts the trees lining the banks of the River Loing at Saint Prive in no...

Signed impressionist oil on panel landscape circa 1900 by French painter Leon Giran-Max. The work depicts a view of fenced garden with pink flowers contrasting against the green foli...

Signed oil on panel landscape circa 1900 by French post impressionist painter Henri Lebasque. The work depicts a field lined with trees with a haystack to the left. There is a view o...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

A beautiful oil on panel circa 1900 by French impressionist painter Emilio Boggio. The piece depicts a coastal scene. The blue-green water crashes against the rocks on a grey day. S...

Signed post impressionist landscape oil on panel circa 1910 by French painter Henri le Sidaner. The work depicts a view of Lake Maggiore, a large lake located on the south side of th...

This superb oil on canvas painting was created by Felix Eugene Bellenot (1892 - 1963). This vibrant and passionate composition represents the port of Sainte Maxime...

Oil on board study of a Blue Agave in its landscape by French artist Louis Michel Bernard. Signed bottom right and with atelier stamp to the rear of the panel. Presented in fine custom carved wood, gesso, silver leaf and patinated frame. A charming painting of an iconic plant, the thick tendril leaves reaching out from the centre ground surrounded by the ancient oaks and olive tress in the landscape. Bernard has used browns and ochres for the ground surrounding the plant and trees which gives the painting almost an abstract quality. His use of material gives a vivacity to the composition and texture to the surface of the painting. A wonderful addition to any collection or interior. Louis Michel Bernard (1885–1962) was a French artist who primarily focused on landscapes, and he gained recognition as an Orientalist painter...

This piece is framed which is reflected in the price. Unframed dimensions are 48 x 48 inches. Carol O’Malia’s paintings depict ordinary objects, people, and places and the ephemeral...

"Bagno Vignoni" is a contemporary impressionist painting of an Italian village and its beautiful architecture. Marc Dalessio was born in 1972 in Los Angeles, California. Even in hi...

This piece reflects the magical beauty of Mount Edgcumbe Country Park in Cornwall, where Katy Brown lives and paints. It is about Barnpool, a bay surrounded...

Kovalam by Alanna Eakin [2021] Artist signed Oil paint on wood panel Image size: H:25.5 cm x W:25.5 cm x D:0.5cm Frame Size: H:30 cm x W:30 cm x D:2.5cm Please note that insitu image...