Henry Moret

Barque De Peche En Mer By Henry Moret

1912

Yvonne Canu 1921-2008 French Preparations for the Regattas (Préparations aux Régates) Signed "Canu" (lower right) Titled "Préparations aux Régates" (en verso) Oil on canvas A lum...

Hugues Claude Pissarro b.1935 French La plage à Pornichet (The beach at Pornichet) Signed “H. Claude Pissarro” (lower right) Pastel on card French artist H. Claude Pissarro utili...

Paul Leduc 1876-1943 Belgian Martigues, Provence-Alpes-Côte d'Azur Signed "Paul Leduc" (lower left) Oil on canvas Paul Leduc captures the picturesque charm of Martigues, often ca...

Pierre-Auguste Renoir 1841-1919 French Au bord de la rivière (Along the River) Oil on canvas "Renoir may be the only great painter who has never painted a sad picture." - Octave ...

This artwork "Pecheurs en Mer (Fishermen at Sea) c.1920 is an oil painting on canvas by noted French artist Rene Lienard De Saint Delis, 1877-1958. It is signed at the lower left corner by the artist. The canvas size is 23,5 x 28.5 inches, framed size is 33.5 x 38.85 inches. Framed in a new wooden gold frame with fabric liner. It is in good condition, Has minor stable non open cracks in the paint due to age, visible under raking light, see pictures 7-8-9 About the artist: Born in 1876 in Saint-Omer, Eugène René is the second of four children of Antoine Albert Liénard of Saint-Delis (1840-1881), officer of the 5 th regiment of dragons and his wife Antoinette Emma Houet (1847 -1920). The birth of our artist is followed by that of his brother Henri (1878-1949), also a painter . The death of the illnesses of Captain Liénard de Saint-Delis led Emma to leave the Pas-de-Calais in 1881 to move to Le Havre with her four children. After high school François-I of Le Havre where another student, Émile Othon Friesz , is his best friend, René de Saint-Delis attended successively the Municipal School of Fine Arts of Le Havre where, with his classmates, besides his brother Henri and Othon Friesz, others who will also become his friends ( Georges Braque , Raoul Dufy , Raimond Lecourt ), he follows the courses of Charles Lhuillier (a "great admirer of Boudin " at the same time as "he places the drawing first and foremost, forbidding his pupils to use color , and the Académie Julian in Paris, where from 1900 to 1904 he was a pupil of William Bouguereau . On January 29, 1906, Le Havre created the Circle of Modern Art, which consisted of artists (among them, René and Henri de Saint-Delis, their aforementioned friends, but also Gaston Prunier...

Artist: Amedee-Julien Marcel-Clement, French (1873 - ?) Title: Granville: Au Sortie du Port Year: circa 1920 Medium: Oil on Canvas, signed l.r. Size: 21 x 25.5 inches (53.34 x 64...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Impressionist oil on canvas seascape painting circa 1895 by French artist Maxime Maufra. This stunning work depicts a sailing boat on a vast ocean. The choppy water is painted in greens and blues. The white clouds rolling across the blue sky are beautifully shaded in purple tones. Signature: Signed lower left and titled on original label verso Dimensions: Framed: 22"x25" Unframed: 15"x18" Provenance: This work is included in the catalogue raisonne of Maxime Maufra under reference 284 Durand-Ruel, Paris (acquired directly from the artist on 5 April 1895) Durand-Ruel Galleries, New York (acquired from the above in 1895) Marlborough Fine Arts, Ltd., London (acquired after 1949) Dr. Renate Davis, London (acquired from the above) Lyon & Turnbull London, 28 November 2013, lot 111 (consigned by the above) Private Collection, New York (acquired from the above sale) Sotheby's New York, 15 November 2017, lot 101 (consigned by the above) Maufra spent several years in England, notably in Liverpool, with his father, who wanted him to become a tradesman. He decided to take up painting instead and returned to France in 1883, attracting the attention of Octave Mirbeau in his very first exhibition, and subsequently being noticed by Frantz Jourdain in 1894 and Fontenais in 1901. In 1886, he successfully exhibited two seascapes at the Salon, following which he visited Brittany in 1890, making the acquaintance of Gauguin and Sérusier in Pont-Aven; he collaborated with them on the decoration of the Pouldu Inn in 1894. He maintained his acquaintance with the Nabis group artists Henry Moret and Gustave Loiseau. He travelled in l'Isère, Belgium, and Algeria (1913), as well as Paris, the Ile de France, Brittany and Normandy. From 1895, the Galerie Durand-Ruel assured the success of his work. Maufra settled in Montmartre for about ten years during which he painted the old quarters of Paris, often around the church of St Séverin. He then turned to Brittany and Normandy for inspiration in keeping with a resolve to paint only from nature, his seascapes in particular finding favour. The influence of the Nabis on his work remains limited except in the 'synthetic' organisation of the composition. He was an admirer of Sisley and Pissarro, whose influence can be seen in his paintings. Maufra, like Valtat, went to some extent beyond Impressionism to become a forerunner of Fauvism in his use of colour. An important retrospective exhibition of Maufra's work, prefaced by René Domergue, was organised in Paris around 1950. In 2001, his work was represented in the exhibition Painters and the Sarthe Region ( Les Peintres et la Sarthe) held at the Musée de la Reine Bérengère (for the 19th century) and the Abbaye de l'Épau (for the 20th century) at Le Mans. In 2003, his work appeared in the group exhibition Brittany, Land of Painters ( Bretagne, Terre des Peintres) at the Musée des Beaux-Arts in Vannes. Museum and Gallery Holdings: Bergues: Seascapes Boston: Dusk in Douarnenez; Departure of Fishing Boats Buffalo: Transport Quittant Le Havre Chicago: Douarnenez the Town of Light Cholet: Flood Cincinnati (AM): The Coast, Bay of Douarnenez (Vue de Douarnenez) (painting) Helsinki: St-Guénolé Le Havre: Moonrise in Brittany Manchester: Springtime in Lavardin Montpellier: Hills of Morgat Mulhouse: Low Tide Nantes (MBA): La Prairie d'Amont (1888, oil on canvas); Pointe du Raz; Heavy Swell; The Loir Dam in Poncé (oil on canvas) Paris (Mus. d'Orsay): Brittany Landscape...